{"id":7464,"date":"2012-10-01T21:17:25","date_gmt":"2012-10-01T20:17:25","guid":{"rendered":"http:\/\/ritmy.fr\/essais\/?p=7464"},"modified":"2013-11-09T15:36:59","modified_gmt":"2013-11-09T14:36:59","slug":"olivier-houette-a-neauphle","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/olivier-houette-a-neauphle\/","title":{"rendered":"OLIVIER HOUETTE \u00e0 NEAUPHLE &#8230;"},"content":{"rendered":"<h3 style=\"text-align: center;\"><strong><span style=\"color: #008000;\">IMPRESSIONS du CONCERT donn\u00e9 le 30 septembre<\/span><\/strong><\/h3>\n<h2><strong><span style=\"color: #ff0000;\">CLAVECIN et ORGUE \u00ab\u00a0A la crois\u00e9e des chemins\u00a0\u00bb<\/span><\/strong><\/h2>\n<div id=\"attachment_7471\" style=\"width: 313px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/036.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7471\" class=\" wp-image-7471 \" title=\"O.Houette au clavecin\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/036.jpg\" alt=\"\" width=\"313\" height=\"256\" \/><\/a><p id=\"caption-attachment-7471\" class=\"wp-caption-text\">Olivier Houette au clavecin<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>Ce dernier dimanche de septembre aura combl\u00e9 les m\u00e9lomanes qui avaient d\u00e9laiss\u00e9 le beau soleil d\u2019automne pour la relative fra\u00eecheur de <strong>l\u2019\u00e9glise St Nicolas de NEAUPHLE-LE-CHATEAU.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Orgue<\/strong> et <strong>clavecin<\/strong>, ce sont ces deux instruments si \u00e9loign\u00e9s \u00e0 la fois par leur volume et leurs sonorit\u00e9s qu\u2019 <strong><span style=\"color: #0000ff;\">OLIVIER HOUETTE<\/span> <\/strong>a fait red\u00e9couvrir \u00e0 un public conquis par la virtuosit\u00e9 et le \u00ab\u00a0phras\u00e9\u00a0\u00bb tout en d\u00e9licatesse de l\u2019artiste.<\/p>\n<p>&nbsp;<\/p>\n<p>Le talentueux <strong>titulaire<\/strong> du grand orgue historique (CLIQUOT) de la cath\u00e9drale de Poitiers a fait merveille\u00a0!<\/p>\n<p>\u00a0\u00a0De Louis MARCHAND (1669-1732) \u00e0 Bert MATTER (contemporain, n\u00e9 en 1937), en passant par William BYRD (fin XVI\u00e8me), Michelangelo ROSSI (XVII\u00e8me), Dietrich BUXTEHUDE (fin XVII\u00e8me), Jean-Philippe RAMEAU ou Louis DAQUIN (XVIII\u00e8me), c\u2019est un orgue tout en puissance mais aussi en douces harmonies qu\u2019Olivier a donn\u00e9 \u00e0 entendre, ainsi qu\u2019un clavecin dont il a su rendre toutes les nuances\u2026<\/p>\n<p>En introduction, un grand classique de l\u2019orgue (le \u00ab\u00a0grand dialogue en ut majeur\u00a0\u00bb de MARCHAND)\u00a0; puis le clavecin prenait le relais.<\/p>\n<div id=\"attachment_7470\" style=\"width: 240px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/033.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7470\" class=\" wp-image-7470 \" title=\"Orgue Neauphle\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/033-300x225.jpg\" alt=\"\" width=\"240\" height=\"180\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/033-300x225.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/033.jpg 1024w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><p id=\"caption-attachment-7470\" class=\"wp-caption-text\">Orgue de Neauphle<\/p><\/div>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<div id=\"attachment_7469\" style=\"width: 214px\" class=\"wp-caption alignright\"><a href=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/030.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7469\" class=\" wp-image-7469 \" title=\"O.Houette \u00e0 l'orgue\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/030-225x300.jpg\" alt=\"\" width=\"214\" height=\"254\" \/><\/a><p id=\"caption-attachment-7469\" class=\"wp-caption-text\">Olivier Houette \u00e0 l&rsquo;orgue<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_7472\" style=\"width: 203px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/041.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7472\" class=\" wp-image-7472 \" title=\"O.Houette commente\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/041-225x300.jpg\" alt=\"\" width=\"203\" height=\"270\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/041-225x300.jpg 225w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2012\/10\/041.jpg 768w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><\/a><p id=\"caption-attachment-7472\" class=\"wp-caption-text\">Olivier Houette pr\u00e9sente les oeuvres<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>Pr\u00e9c\u00e9dant chaque interpr\u00e9tation, Olivier a donn\u00e9 <strong>maintes explications<\/strong> et quelques \u00ab\u00a0cl\u00e9s\u00a0\u00bb pour une meilleure approche de chacune des pi\u00e8ces au programme.\u00a0\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p>Un <strong>surprenant \u00ab\u00a0final\u00a0\u00bb<\/strong> cl\u00f4turait ce concert de grande qualit\u00e9, avec la \u00ab\u00a0fantasia sopra une jeune fillette\u00a0\u00bb de MATTER, \u0153uvre tout en lignes m\u00e9lodiques r\u00e9p\u00e9titives, bien dans la mouvance d\u2019un COPLAN ou d\u2019un Steeve REICH pour ce compositeur organiste N\u00e9erlandais\u2026\u00a0<\/p>\n<p>&nbsp;<\/p>\n<p>\u00a0<strong>\u00a0Trois \u00ab\u00a0rappels\u00a0\u00bb\u00a0<\/strong>sont venus \u00a0t\u00e9moigner de la satisfaction d\u2019un public conquis par la qualit\u00e9 de l\u2019interpr\u00e8te.<\/p>\n<p style=\"text-align: center;\">\u00a0*************************************************************<\/p>\n<p>Si vous voulez nous proposer ou nous demander une \u0153uvre, r\u00e9agir, commenter ou signaler un \u00e9v\u00e9nement dans les Yvelines\u2026 l&rsquo;adresse courriel de <strong>RITMY<\/strong> est faite pour vous !<\/p>\n<p style=\"text-align: center;\"><a href=\"mailto:contact.ritmy@gmail.com\"><strong><span style=\"color: #000080;\">contact.ritmy@gmail.com<\/span><\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>IMPRESSIONS du CONCERT donn\u00e9 le 30 septembre CLAVECIN et ORGUE \u00ab\u00a0A la crois\u00e9e des chemins\u00a0\u00bb &nbsp; Ce dernier dimanche de septembre aura combl\u00e9 les m\u00e9lomanes qui avaient d\u00e9laiss\u00e9 le beau soleil d\u2019automne pour la relative fra\u00eecheur de l\u2019\u00e9glise St Nicolas de NEAUPHLE-LE-CHATEAU. &nbsp; Orgue et clavecin, ce sont ces deux instruments si \u00e9loign\u00e9s \u00e0 la &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/olivier-houette-a-neauphle\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6,1],"tags":[77,63],"class_list":["post-7464","post","type-post","status-publish","format-standard","hentry","category-les-oeuvres","category-les-musiciens","category-ritmy","tag-houette","tag-orgue","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/7464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=7464"}],"version-history":[{"count":32,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/7464\/revisions"}],"predecessor-version":[{"id":7500,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/7464\/revisions\/7500"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=7464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=7464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=7464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}