{"id":30806,"date":"2026-03-16T13:38:55","date_gmt":"2026-03-16T12:38:55","guid":{"rendered":"https:\/\/ritmy.fr\/essais\/?p=30806"},"modified":"2026-03-16T13:38:56","modified_gmt":"2026-03-16T12:38:56","slug":"virtuosite-talent-a-mere-la-jeunesse-a-lhonneur","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/virtuosite-talent-a-mere-la-jeunesse-a-lhonneur\/","title":{"rendered":"Virtuosit\u00e9, talent\u2026 A M\u00e9r\u00e9, la jeunesse \u00e0 l\u2019honneur\u00a0!"},"content":{"rendered":"\n<p class=\"has-regular-font-size\">L\u2019\u00e9glise de M\u00e9r\u00e9 a fait salle comble ce dimanche 15 mars, pour le r\u00e9cital de piano de Dimitri WEISSENBERG.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"591\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW1-1.jpg\" alt=\"\" class=\"wp-image-30822\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW1-1.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW1-1-300x177.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW1-1-768x454.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW1-1-803x475.jpg 803w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\">D\u00e9j\u00e0 possesseur de nombreux prix, il est sur le parcours d\u2019une prometteuse et brillante carri\u00e8re.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"486\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW2.jpg\" alt=\"\" class=\"wp-image-30823 size-full\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW2.jpg 500w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW2-300x292.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Et les ovations n\u2019ont pas manqu\u00e9 pour le jeune Dimitri WEISSENBERG, qui n\u2019a pas m\u00e9nag\u00e9 sa fougue et a r\u00e9v\u00e9l\u00e9 tout son talent en offrant un programme remarquable \u00e0 notre fid\u00e8le public&nbsp;!<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"has-regular-font-size\">Une magistrale interpr\u00e9tation de \u00ab\u00a0El Albaicin\u00a0\u00bb, extrait d&rsquo;Iberia d\u2019Isaac ALBENIZ, pour d\u00e9marrer ce concert, suivi de la fameuse sonate n\u00b0 2 dite \u00ab\u00a0fun\u00e8bre\u00a0\u00bb de Fr\u00e9d\u00e9ric CHOPIN. Une grande virtuosit\u00e9 pour le premier et le dernier mouvement, mais aussi une grande sensibilit\u00e9 dans la marche fun\u00e8bre du troisi\u00e8me mouvement.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"472\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW3.jpg\" alt=\"\" class=\"wp-image-30824\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW3.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW3-300x142.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW3-768x362.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW3-803x379.jpg 803w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\">Apr\u00e8s une pause et l\u2019interpr\u00e9tation de la sonate n\u00b07 de Beethoven, les trois mouvements du \u00ab&nbsp;P\u00e9trouchka&nbsp;\u00bb, d\u2019Igor STRAVINSKY, dans une \u00e9poustouflante transcription pour piano, r\u00e9v\u00e9laient encore plus la virtuosit\u00e9 de Dimitri au clavier.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"865\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW4.jpg\" alt=\"\" class=\"wp-image-30825\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW4.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW4-300x260.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW4-768x664.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW4-803x695.jpg 803w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\">Pour cl\u00f4turer ce grand moment, Dimitri Weissenberg a tomb\u00e9 la veste pour nous offrir g\u00e9n\u00e9reusement trois bis dont un pr\u00e9lude de Lilly Boulanger, la danse du sabre de Khachaturian et un pr\u00e9lude de Rachmaninov, ceci pour le plus grand plaisir du public, venu en nombre une fois de plus, pour cet avant-dernier rendez-vous des 36es Saisons Musicales de RITMY\u00a0!<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"439\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW5.jpg\" alt=\"\" class=\"wp-image-30826\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW5.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW5-300x132.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW5-768x337.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW5-803x353.jpg 803w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"749\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW6.jpg\" alt=\"\" class=\"wp-image-30827\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW6.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW6-300x225.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW6-768x575.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW6-335x250.jpg 335w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/03\/DW6-803x601.jpg 803w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\">L&rsquo;\u00e9quipe RITMY autour de l&rsquo;artiste<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-large-font-size\" id=\"block-bcddf282-2b3a-4eb0-af80-bafe06ba153a\"><strong>Prochain rendez-vous de RITMY, le dimanche 12 avril 2026 \u00e0 HOUDAN avec Bertrand MALMASSON et Cyril GARAC.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-large-font-size\" id=\"block-1c199096-2354-40ac-b661-9f240c176f86\"><strong>Toutes les informations dans cet <em><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-36es-saisons\/bertrand-malmasson-et-cyril-garac-a-houdan\/\" data-type=\"link\" data-id=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-36es-saisons\/bertrand-malmasson-et-cyril-garac-a-houdan\/\">ARTICLE<\/a><\/em><\/strong><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-36es-saisons\/daniel-isoir-et-la-petite-symphonie-a-orgerus\/\">.<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019\u00e9glise de M\u00e9r\u00e9 a fait salle comble ce dimanche 15 mars, pour le r\u00e9cital de piano de Dimitri WEISSENBERG. D\u00e9j\u00e0 possesseur de nombreux prix, il est sur le parcours d\u2019une prometteuse et brillante carri\u00e8re. Et les ovations n\u2019ont pas manqu\u00e9 pour le jeune Dimitri WEISSENBERG, qui n\u2019a pas m\u00e9nag\u00e9 sa fougue et a r\u00e9v\u00e9l\u00e9 tout &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/virtuosite-talent-a-mere-la-jeunesse-a-lhonneur\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":5,"featured_media":30825,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-30806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ritmy","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=30806"}],"version-history":[{"count":14,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30806\/revisions"}],"predecessor-version":[{"id":30835,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30806\/revisions\/30835"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media\/30825"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=30806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=30806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=30806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}