{"id":30730,"date":"2026-01-19T18:47:38","date_gmt":"2026-01-19T17:47:38","guid":{"rendered":"https:\/\/ritmy.fr\/essais\/?p=30730"},"modified":"2026-02-12T16:45:22","modified_gmt":"2026-02-12T15:45:22","slug":"orgerus-2026","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/orgerus-2026\/","title":{"rendered":"La Petite Symphonie \u00e0 Orgerus"},"content":{"rendered":"\n<p class=\"has-regular-font-size\">La PETITE SYMPHONIE&nbsp;: le retour&nbsp;!<br>C\u2019\u00e9tait fin mars 2019\u2026 C\u2019\u00e9tait \u00e0 M\u00e9r\u00e9.<\/p>\n\n\n\n<p class=\"has-regular-font-size\">La \u00ab&nbsp;Petite Symphonie&nbsp;\u00bb est revenue ce dimanche 18 janvier, \u00e0 ORGERUS cette fois, pour le plus grand plaisir de nos fid\u00e8les spectateurs&nbsp;!<\/p>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"580\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/1-salle-1000x580.jpg\" alt=\"\" class=\"wp-image-30716\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/1-salle-1000x580.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/1-salle-300x174.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/1-salle-768x446.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/1-salle-803x466.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/1-salle.jpg 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\">Daniel ISOIR au piano forte, Marieke BOUCHE au violon et Gauthier BROUTIN au violoncelle nous ont propos\u00e9 un programme de trois superbes trios&nbsp;:<br> &#8211; HAYDN, trio en r\u00e9 majeur (HOB XV&nbsp;: 24)<br> &#8211; HAYDN, trio en r\u00e9 mineur (HOB XV&nbsp;: 23)<br> &#8211; BEETHOVEN, trio en ut mineur (opus 1, n\u00b0 3)<br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"974\" height=\"629\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/2-presentation.jpg\" alt=\"\" class=\"wp-image-30717\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/2-presentation.jpg 974w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/2-presentation-300x194.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/2-presentation-768x496.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/2-presentation-803x519.jpg 803w\" sizes=\"auto, (max-width: 974px) 100vw, 974px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\">Le piano forte \u00e9tait bien s\u00fbr \u00e0 l\u2019honneur pour ces trois \u0153uvres, mais chaque instrument se r\u00e9v\u00e9lait au gr\u00e9 des rythmes et des harmonies de ces deux remarquables compositeurs.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"550\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/3-trio-1000x550.jpg\" alt=\"\" class=\"wp-image-30719\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/3-trio-1000x550.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/3-trio-300x165.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/3-trio-768x422.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/3-trio-803x442.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/3-trio.jpg 1200w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\">Le talent et la virtuosit\u00e9 des trois interpr\u00e8tes a largement contribu\u00e9 \u00e0 la r\u00e9ussite de ce moment musical, et notre public a pu ainsi bien appr\u00e9cier le jeu tout en nuances du piano forte qui a \u00e9t\u00e9, au  XVIIIe si\u00e8cle, l\u2019interm\u00e9diaire entre le clavecin et le piano.<\/p>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"785\" height=\"1000\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/4-les-3-785x1000.jpg\" alt=\"\" class=\"wp-image-30720\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/4-les-3-785x1000.jpg 785w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/4-les-3-236x300.jpg 236w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/4-les-3-768x978.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/4-les-3-1206x1536.jpg 1206w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/4-les-3-803x1023.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/4-les-3.jpg 1352w\" sizes=\"auto, (max-width: 785px) 100vw, 785px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\">Une tr\u00e8s belle immersion, ce dimanche de janvier, dans l\u2019univers de ces deux compositeurs, qui ont mis \u00e0 l\u2019honneur cet instrument tout en transparence, l\u00e9g\u00e8ret\u00e9 et expressivit\u00e9&nbsp;!<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"687\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/5-salut-1000x687.jpg\" alt=\"\" class=\"wp-image-30721\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/5-salut-1000x687.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/5-salut-300x206.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/5-salut-768x527.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/5-salut-803x551.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/5-salut.jpg 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"510\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/6-equipe-1000x510.jpg\" alt=\"\" class=\"wp-image-30722\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/6-equipe-1000x510.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/6-equipe-300x153.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/6-equipe-768x392.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/6-equipe-803x410.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2026\/01\/6-equipe.jpg 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\">L&rsquo;\u00e9quipe RITMY autour des artistes<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color has-regular-font-size wp-elements-7672c33d851680870e64c62210a94140\" id=\"block-bcddf282-2b3a-4eb0-af80-bafe06ba153a\"><strong>Prochain rendez-vous de RITMY, le dimanche 15 mars 2026 \u00e0 MERE avec Dimitri WEISSENBERG<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color has-regular-font-size wp-elements-5f5a29bed0b195de323820d96f15c56c\"><strong>Toutes les informations dans cet <em><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-36es-saisons\/dimitri-weissenberg-a-mere\/\"><u>ARTICLE<\/u><\/a><\/em><\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La PETITE SYMPHONIE&nbsp;: le retour&nbsp;!C\u2019\u00e9tait fin mars 2019\u2026 C\u2019\u00e9tait \u00e0 M\u00e9r\u00e9. La \u00ab&nbsp;Petite Symphonie&nbsp;\u00bb est revenue ce dimanche 18 janvier, \u00e0 ORGERUS cette fois, pour le plus grand plaisir de nos fid\u00e8les spectateurs&nbsp;! Daniel ISOIR au piano forte, Marieke BOUCHE au violon et Gauthier BROUTIN au violoncelle nous ont propos\u00e9 un programme de trois superbes &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/orgerus-2026\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":5,"featured_media":30719,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-30730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ritmy","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=30730"}],"version-history":[{"count":3,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30730\/revisions"}],"predecessor-version":[{"id":30773,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30730\/revisions\/30773"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media\/30719"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=30730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=30730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=30730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}