{"id":30638,"date":"2025-12-08T12:35:38","date_gmt":"2025-12-08T11:35:38","guid":{"rendered":"https:\/\/ritmy.fr\/essais\/?p=30638"},"modified":"2025-12-08T12:44:10","modified_gmt":"2025-12-08T11:44:10","slug":"ritmy-a-richebourg-un-cabaret-bien-rythme","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/ritmy-a-richebourg-un-cabaret-bien-rythme\/","title":{"rendered":"RITMY \u00e0 RICHEBOURG\u00a0: un CABARET bien rythm\u00e9\u00a0!"},"content":{"rendered":"\n<p>Serge CAMPS (guitare et chant), Pierre PROCOUDINE (guitare et chant), Frank ANASTASIO (contrebasse et chant), Stanko MARINKOVIC (accord\u00e9on et chant) \u2026<br>Et, bien s\u00fbr Laure PRECHAC\u2026<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"581\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/ensemble-1000x581.jpg\" alt=\"\" class=\"wp-image-30640\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/ensemble-1000x581.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/ensemble-300x174.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/ensemble-768x446.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/ensemble-803x467.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/ensemble.jpg 1275w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<p>Cinq remarquables virtuoses qui ont ensoleill\u00e9 la salle Edith PIAF de RICHEBOURG (pleine \u00e0 craquer&nbsp;!) en ce dimanche bien humide de d\u00e9cembre.<br>Programme bien \u00ab&nbsp;rythm\u00e9&nbsp;\u00bb en effet, associant chansons du r\u00e9pertoire (Piaf \u2026) et musiques traditionnelles des Balkans.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"506\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/Laure-Stanko-1-1000x506.jpg\" alt=\"\" class=\"wp-image-30647\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/Laure-Stanko-1-1000x506.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/Laure-Stanko-1-300x152.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/Laure-Stanko-1-768x389.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/Laure-Stanko-1-1536x777.jpg 1536w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/Laure-Stanko-1-803x406.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/Laure-Stanko-1.jpg 1565w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p>La voix grave de Stanko et celle aux puissantes envol\u00e9es de Laure ont transport\u00e9 le public vers divers horizons, depuis le Paris des ann\u00e9es soixante jusqu\u2019aux confins des pays Slaves.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"645\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/danse-1000x645.jpg\" alt=\"\" class=\"wp-image-30644\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/danse-1000x645.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/danse-300x194.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/danse-768x495.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/danse-803x518.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/danse.jpg 1240w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p>Harmonieuses et envo\u00fbtantes harmonies tziganes \u00ab&nbsp;Djelem, djelem&nbsp;\u00bb, \u00ab&nbsp;Ederlezi&nbsp;\u00bb, mais aussi \u00ab&nbsp;les yeux noirs&nbsp;\u00bb : autant de \u00ab&nbsp;p\u00e9pites&nbsp;\u00bb que le public a pu reprendre en ch\u0153ur, n\u2019h\u00e9sitant pas \u00e0 accompagner ces cinq talentueux artistes en frappant vigoureusement dans les mains&nbsp;!<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"429\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/trio-1000x429.jpg\" alt=\"\" class=\"wp-image-30643\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/trio-1000x429.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/trio-300x129.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/trio-768x330.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/trio-1536x660.jpg 1536w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/trio-803x345.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/trio.jpg 1835w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p>Une soir\u00e9e particuli\u00e8rement enthousiasmante, qui s\u2019est termin\u00e9e par le verre de l&rsquo;amiti\u00e9, en compagnie de Laure, Stanko et de leurs amis instrumentistes&nbsp;!<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"901\" height=\"543\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/saluts.jpg\" alt=\"\" class=\"wp-image-30641\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/saluts.jpg 901w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/saluts-300x181.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/saluts-768x463.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/12\/saluts-803x484.jpg 803w\" sizes=\"auto, (max-width: 901px) 100vw, 901px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\"><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-large-font-size\" id=\"block-bcddf282-2b3a-4eb0-af80-bafe06ba153a\"><strong>Prochain rendez-vous de RITMY, le dimanche 18 janvier 2026 \u00e0 ORGERUS avec Daniel ISOIR et la petite symphonie.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-large-font-size\" id=\"block-1c199096-2354-40ac-b661-9f240c176f86\"><strong>Toutes les informations dans cet <\/strong><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-36es-saisons\/daniel-isoir-et-la-petite-symphonie-a-orgerus\/\"><strong><em>ARTICLE<\/em><\/strong>.<\/a><\/p>\n\n\n\n<p class=\"has-regular-font-size\"><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Serge CAMPS (guitare et chant), Pierre PROCOUDINE (guitare et chant), Frank ANASTASIO (contrebasse et chant), Stanko MARINKOVIC (accord\u00e9on et chant) \u2026Et, bien s\u00fbr Laure PRECHAC\u2026 Cinq remarquables virtuoses qui ont ensoleill\u00e9 la salle Edith PIAF de RICHEBOURG (pleine \u00e0 craquer&nbsp;!) en ce dimanche bien humide de d\u00e9cembre.Programme bien \u00ab&nbsp;rythm\u00e9&nbsp;\u00bb en effet, associant chansons du r\u00e9pertoire &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/ritmy-a-richebourg-un-cabaret-bien-rythme\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":5,"featured_media":30640,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-30638","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ritmy","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=30638"}],"version-history":[{"count":6,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30638\/revisions"}],"predecessor-version":[{"id":30651,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30638\/revisions\/30651"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media\/30640"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=30638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=30638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=30638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}