{"id":30598,"date":"2025-11-17T12:12:36","date_gmt":"2025-11-17T11:12:36","guid":{"rendered":"https:\/\/ritmy.fr\/essais\/?p=30598"},"modified":"2025-11-17T17:53:59","modified_gmt":"2025-11-17T16:53:59","slug":"nombreux-public-pour-le-quatuor-tchalik-a-neauphle-le-chateau","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/nombreux-public-pour-le-quatuor-tchalik-a-neauphle-le-chateau\/","title":{"rendered":"Nombreux public pour le Quatuor TCHALIK \u00e0 NEAUPHLE LE CH\u00c2TEAU\u00a0!"},"content":{"rendered":"\n<p class=\"has-regular-font-size\">Malgr\u00e9 une m\u00e9t\u00e9o assez fra\u00eeche en ce dimanche de mi-novembre, le talent et la virtuosit\u00e9 du quatuor TCHALIK a r\u00e9chauff\u00e9 les c\u0153urs et enthousiasm\u00e9 un public venu nombreux pour ce deuxi\u00e8me rendez-vous de RITMY.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"519\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMG20251116175144-1000x519.jpg\" alt=\"\" class=\"wp-image-30604\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMG20251116175144-1000x519.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMG20251116175144-300x156.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMG20251116175144-768x399.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMG20251116175144-803x417.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMG20251116175144.jpg 1275w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<p class=\"has-regular-font-size\">Rencontre rare, car cet ensemble est compos\u00e9 de quatre fr\u00e8res et s\u0153urs&nbsp;!<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"589\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470508-1000x589.jpg\" alt=\"\" class=\"wp-image-30600\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470508-1000x589.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470508-300x177.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470508-768x452.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470508-803x473.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470508.jpg 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\">Gabriel et Louise TCHALIK (1<sup>er<\/sup> et 2<sup>e<\/sup> violons), Sarah (alto) et Marc (violoncelle) ont en effet, depuis leur plus jeune \u00e2ge, form\u00e9 ce quatuor remarquable, et se sont produits dans de nombreux festivals, et sur diverses sc\u00e8nes, tant en France qu\u2019\u00e0 l\u2019\u00e9tranger (fl\u00e2neries musicales de REIMS, festival Chopin \u00e0 NOHANT, salle Gaveau, Th\u00e9\u00e2tre des Champs-Elys\u00e9es et Philharmonie \u00e0 PARIS, mais aussi AMSTERDAM, SALZBOURG, COLOGNE, DRESDE, etc.)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"436\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE2-1000x436.jpg\" alt=\"\" class=\"wp-image-30602\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE2-1000x436.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE2-300x131.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE2-768x335.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE2-1536x670.jpg 1536w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE2-2048x893.jpg 2048w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE2-803x350.jpg 803w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\">Ils nous ont offert un programme de choix, de MOZART \u00e0 RAVEL, en passant par BIZET et Pauline VIARDOT.<\/p>\n\n\n\n<p class=\"has-regular-font-size\">Le quatuor \u00e0 cordes N\u00b0 20 en r\u00e9 majeur (MOZART) introduisait superbement ce concert, et se poursuivait avec cinq m\u00e9lodies russes de Pauline VIARDOT\u2026Apr\u00e8s une courte pause, ce fut une suite d\u2019apr\u00e8s \u00ab&nbsp;les p\u00eacheurs de perles&nbsp;\u00bb de BIZET, (arrangement de Dania TCHALIK). Enfin, le quatuor \u00e0 cordes en fa majeur de RAVEL venait cl\u00f4turer le programme de ce magnifique concert.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"996\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE3-4-1000x996.jpg\" alt=\"\" class=\"wp-image-30605\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE3-4-1000x996.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE3-4-300x300.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE3-4-150x150.jpg 150w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE3-4-768x765.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE3-4-803x800.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/IMAGE3-4.jpg 1520w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\">Un rappel, avec la romance de NADIR (\u00ab&nbsp;les p\u00eacheurs de perles&nbsp;\u00bb) a permis au public de fredonner cet air bien connu, \u00e0 l\u2019unisson de ce tr\u00e8s sympathique (et tr\u00e8s talentueux) quatuor TCHALIK&nbsp;!<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"695\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470574-1000x695.jpg\" alt=\"\" class=\"wp-image-30601\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470574-1000x695.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470574-300x208.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470574-768x533.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470574-803x558.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2025\/11\/P1470574.jpg 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-regular-font-size\">A l\u2019issue du concert, un CD \u00e9tait propos\u00e9 \u00e0 l\u2019achat, un pr\u00e9cieux souvenir pour une rencontre particuli\u00e8rement appr\u00e9ci\u00e9e de notre fid\u00e8le public&nbsp;!<\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-large-font-size\" id=\"block-bcddf282-2b3a-4eb0-af80-bafe06ba153a\"><strong>Prochain rendez-vous de RITMY, le dimanche 7 d\u00e9cembre 2025 \u00e0 RICHEBOURG avec Laure PR\u00c9CHAC, Stanko MARINKOVIC et le Trio opus 4.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-large-font-size\" id=\"block-1c199096-2354-40ac-b661-9f240c176f86\"><strong>Toutes les informations dans cet <\/strong><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-36es-saisons\/laure-prechac-a-richebourg\/\"><strong><em>ARTICLE<\/em><\/strong><\/a>.<\/p>\n\n\n\n<p class=\"has-regular-font-size\"><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Malgr\u00e9 une m\u00e9t\u00e9o assez fra\u00eeche en ce dimanche de mi-novembre, le talent et la virtuosit\u00e9 du quatuor TCHALIK a r\u00e9chauff\u00e9 les c\u0153urs et enthousiasm\u00e9 un public venu nombreux pour ce deuxi\u00e8me rendez-vous de RITMY. Rencontre rare, car cet ensemble est compos\u00e9 de quatre fr\u00e8res et s\u0153urs&nbsp;! Gabriel et Louise TCHALIK (1er et 2e violons), Sarah &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/nombreux-public-pour-le-quatuor-tchalik-a-neauphle-le-chateau\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":5,"featured_media":30600,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-30598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ritmy","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=30598"}],"version-history":[{"count":12,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30598\/revisions"}],"predecessor-version":[{"id":30621,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/30598\/revisions\/30621"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media\/30600"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=30598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=30598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=30598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}