{"id":29590,"date":"2024-11-18T17:32:00","date_gmt":"2024-11-18T16:32:00","guid":{"rendered":"https:\/\/ritmy.fr\/essais\/?p=29590"},"modified":"2025-09-06T10:34:02","modified_gmt":"2025-09-06T09:34:02","slug":"makoto-yoshida-et-lucas-belhkiri-a-neauphle-le-chateau","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/makoto-yoshida-et-lucas-belhkiri-a-neauphle-le-chateau\/","title":{"rendered":"Makoto YOSHIDA et Lucas BELKHIRI, \u00e0 NEAUPHLE le CH\u00c2TEAU"},"content":{"rendered":"\n<script language=\"Javascript\">\n<!--\nfunction isMobileDevice() \n{ \nif (\/Mobil\/i.test(navigator.userAgent))\n  {\n  window.open(\"https:\/\/ritmy.fr\/essais\/neauphle2024-mob\/\", \"_top\");\n  }\n}\n\/\/-->\n<\/script>\n<script type=\"text\/javascript\">isMobileDevice()<\/script>\n\n\n\n<p class=\"has-large-font-size\" id=\"block-b85cd65e-9871-44df-9903-18e61b9891ad\">Public fid\u00e8le et nouveaux venus, ils \u00e9taient nombreux pour ce tout premier concert des 35es Saisons Musicales de RITMY, en l\u2019\u00e9glise de NEAUPHLE-LE-CH\u00c2TEAU.&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image01-1000x750.jpg\" alt=\"\" class=\"wp-image-29591\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image01-1000x750.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image01-300x225.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image01-768x576.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image01-335x250.jpg 335w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image01-803x602.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image01.jpg 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\">Il est vrai que le talentueux duo (Makoto YOSHIDA, clarinette, et Lucas BELKHIRI, piano) avait concoct\u00e9 un all\u00e9chant programme, allant de WEBER \u00e0 SAINT-SA\u00cbNS, en passant par SCHUMANN et DEBUSSY.<br>Tous deux, multi-dipl\u00f4m\u00e9s, ont b\u00e9n\u00e9fici\u00e9 des enseignements de haut niveau de diff\u00e9rents professeurs du CNSM de Paris, et se produisent en divers lieux et avec diff\u00e9rents ensembles.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"407\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image02-03-1000x407.jpg\" alt=\"\" class=\"wp-image-29592\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image02-03-1000x407.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image02-03-300x122.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image02-03-768x313.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image02-03-1536x626.jpg 1536w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image02-03-2048x834.jpg 2048w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image02-03-803x327.jpg 803w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\">Les \u00ab trois romances \u00bb de Robert SCHUMANN introduisaient cette fin d\u2019apr\u00e8s-midi. Puis suivait Le \u00ab grand duo concertant \u00bb en mi b\u00e9mol majeur de Carl Maria von WEBER, et apr\u00e8s une courte pause, la \u00ab&nbsp;premi\u00e8re rhapsodie&nbsp;\u00bb en si b\u00e9mol de Claude DEBUSSY pr\u00e9c\u00e9dait une remarquable \u00ab&nbsp;sonate&nbsp;\u00bb en mi b\u00e9mol majeur, opus 167 de Camille SAINT-SA\u00cbNS.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"718\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image04-1000x718.jpg\" alt=\"\" class=\"wp-image-29593\" style=\"width:883px;height:auto\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image04-1000x718.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image04-300x215.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image04-768x551.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image04-803x577.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/image04.jpg 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\" id=\"block-7df5a9eb-3502-441e-8f81-fe14539cdc51\">Ainsi, de 1815 (WEBER) \u00e0 1921 (SAINT-SA\u00cbNS), la clarinette de Makoto et le piano de Lucas ont donn\u00e9 \u00e0 entendre des harmonies et des rythmes divers, pour le plus grand plaisir des spectateurs. Tous deux virtuoses avec leur instrument, ont tour \u00e0 tour pr\u00e9sent\u00e9 ces \u0153uvres qui impliquent fougue, musicalit\u00e9 ou phras\u00e9s subtils.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"860\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/P1350293-1000x860.jpg\" alt=\"\" class=\"wp-image-29605\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/P1350293-1000x860.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/P1350293-300x258.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/P1350293-768x660.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/P1350293-803x690.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/11\/P1350293.jpg 1191w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-large-font-size\">Un premier rendez-vous r\u00e9ussi&nbsp;!<\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color has-larger-font-size wp-elements-a50c6e7807079282659dca7e566cca07\" id=\"block-66a8d6b4-3e56-4501-ae73-e70fd5d696c5\" style=\"line-height:1.6\"><strong>Prochain rendez-vous de RITMY, le dimanche 8 d\u00e9cembre 2024 \u00e0 RICHEBOURG<\/strong> avec l&rsquo;ensemble <strong>BANITSA<\/strong>.<\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color has-large-font-size wp-elements-7cd9ae34431c2290cf98c14ce0ef1b4b\"><strong>Toutes les informations dans cet <em><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-35es-saisons\/richebourg-2\/\">AR<\/a><\/em><\/strong><em><strong><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-35es-saisons\/richebourg-2\/\">TICL<\/a><\/strong><\/em><strong><em><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-35es-saisons\/richebourg-2\/\">E<\/a><\/em><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Public fid\u00e8le et nouveaux venus, ils \u00e9taient nombreux pour ce tout premier concert des 35es Saisons Musicales de RITMY, en l\u2019\u00e9glise de NEAUPHLE-LE-CH\u00c2TEAU.&nbsp; Il est vrai que le talentueux duo (Makoto YOSHIDA, clarinette, et Lucas BELKHIRI, piano) avait concoct\u00e9 un all\u00e9chant programme, allant de WEBER \u00e0 SAINT-SA\u00cbNS, en passant par SCHUMANN et DEBUSSY.Tous deux, multi-dipl\u00f4m\u00e9s, &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/makoto-yoshida-et-lucas-belhkiri-a-neauphle-le-chateau\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":5,"featured_media":29593,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-29590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ritmy","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/29590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=29590"}],"version-history":[{"count":9,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/29590\/revisions"}],"predecessor-version":[{"id":30520,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/29590\/revisions\/30520"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media\/29593"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=29590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=29590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=29590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}