{"id":29065,"date":"2024-03-12T12:52:18","date_gmt":"2024-03-12T11:52:18","guid":{"rendered":"https:\/\/ritmy.fr\/essais\/?p=29065"},"modified":"2026-05-01T10:48:33","modified_gmt":"2026-05-01T09:48:33","slug":"houdan2024","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/houdan2024\/","title":{"rendered":"Charme, talent et virtuosit\u00e9 \u00e0 HOUDAN\u202f!\u00a0"},"content":{"rendered":"\n<p>&nbsp;<\/p>\n\n\n\n<script language=\"Javascript\">\n<!--\nfunction isMobileDevice() \n{ \nif (\/Mobil\/i.test(navigator.userAgent))\n  {\n  window.open(\"https:\/\/ritmy.fr\/essais\/houdan2024-mob\/\", \"_top\");\n  }\n}\n\/\/-->\n<\/script>\n<script type=\"text\/javascript\">isMobileDevice()<\/script>\n\n\n\n<p class=\"has-large-font-size\">Ce dernier concert des 34es Saisons Musicales de RITMY a rassembl\u00e9 une fois de plus un bon nombre de nos fid\u00e8les spectateurs, et ils n\u2019ont pas regrett\u00e9 le d\u00e9placement, car le programme propos\u00e9 par le trio George Sand compos\u00e9 de Anne-Lise GASTALDI (piano), Diana LIGETI (violoncelle) et Virginie BUSCAIL (violon) avait de quoi enthousiasmer le public\u202f!\u00a0<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-1-1000x750.jpg\" alt=\"\" class=\"wp-image-29067\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-1-1000x750.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-1-300x225.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-1-768x576.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-1-335x250.jpg 335w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-1-803x602.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-1.jpg 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-large-font-size\">La \u00ab\u202fSonatensatz\u202f\u00bb de SCHUBERT, (connue aussi comme le trio pour piano en si b\u00e9mol majeur), \u00ab&nbsp;TRISTIA&nbsp;\u00bb, transcription pour trio avec piano par LISZT lui-m\u00eame de sa \u00ab&nbsp;vall\u00e9e d\u2019OBERMANN&nbsp;\u00bb, le bien connu trio avec piano en si b\u00e9mol majeur \u00ab\u202f\u00e0 l\u2019Archiduc\u202f\u00bb, de BEETHOVEN, et aussi cette \u00e9poustouflante \u00ab\u202fDanse Macabre\u202f\u00bb de SAINT-SAENS, reprise \u00e0 la fin du concert en \u00ab\u202fbis\u202f\u00bb, tout avait de quoi r\u00e9jouir et enchanter chacun et chacune malgr\u00e9 le froid glacial de l\u2019\u00e9glise St Jacques\/St Christophe. Heureusement, quelques judicieux petits chauffages d\u2019appoint ont permis \u00e0 quelques-uns de ne pas trop souffrir de la temp\u00e9rature du lieu.&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"521\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-2-1000x521.jpg\" alt=\"\" class=\"wp-image-29068\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-2-1000x521.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-2-300x156.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-2-768x400.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-2-803x418.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-2.jpg 1467w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-large-font-size\">Le trio Georges SAND, un \u00e9quilibre subtil et une remarquable connivence entre ces trois interpr\u00e8tes, et une virtuosit\u00e9 se r\u00e9v\u00e9lant au fil des partitions\u202f!&nbsp;<\/p>\n\n\n\n<p class=\"has-large-font-size\">Les CD propos\u00e9s \u00e0 la fin du concert ont eu un beau succ\u00e8s \u00e9galement.&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"866\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-3-1000x866.jpg\" alt=\"\" class=\"wp-image-29066\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-3-1000x866.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-3-300x260.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-3-768x665.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-3-803x695.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/03\/GSand-3.jpg 1183w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-large-font-size\">Un grand moment qui donne envie de retrouver, d\u00e8s notre prochaine assembl\u00e9e g\u00e9n\u00e9rale (vendredi 14 juin, \u00e0 M\u00e9r\u00e9), la programmation des 35es Saisons\u202f!&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-larger-font-size\" style=\"line-height:1.5\"><strong>Prochain rendez-vous de RITMY, le vendredi 14 juin 2024 \u00e0 M\u00e9r\u00e9 pour notre assembl\u00e9e g\u00e9n\u00e9rale.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Ce dernier concert des 34es Saisons Musicales de RITMY a rassembl\u00e9 une fois de plus un bon nombre de nos fid\u00e8les spectateurs, et ils n\u2019ont pas regrett\u00e9 le d\u00e9placement, car le programme propos\u00e9 par le trio George Sand compos\u00e9 de Anne-Lise GASTALDI (piano), Diana LIGETI (violoncelle) et Virginie BUSCAIL (violon) avait de quoi enthousiasmer &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/houdan2024\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":5,"featured_media":29067,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-29065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ritmy","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/29065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=29065"}],"version-history":[{"count":4,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/29065\/revisions"}],"predecessor-version":[{"id":31145,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/29065\/revisions\/31145"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media\/29067"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=29065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=29065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=29065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}