{"id":27818,"date":"2022-12-13T10:11:31","date_gmt":"2022-12-13T09:11:31","guid":{"rendered":"https:\/\/ritmy.fr\/essais\/?p=27818"},"modified":"2022-12-13T10:15:57","modified_gmt":"2022-12-13T09:15:57","slug":"caliente","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/caliente\/","title":{"rendered":"Un dimanche \u00ab\u00a0chaud\u00a0\u00bb \u00e0 RICHEBOURG avec le quatuor CALIENTE\u00a0!"},"content":{"rendered":"\n<script language=\"Javascript\">\n<!--\nfunction isMobileDevice() \n{ \nif (\/Mobil\/i.test(navigator.userAgent))\n  {\n  window.open(\"https:\/\/ritmy.fr\/essais\/caliente-mob\/\", \"_top\");\n  }\n}\n\/\/-->\n<\/script>\n<script type=\"text\/javascript\">isMobileDevice()<\/script>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/tous-2-1000x750.jpg\" alt=\"\" class=\"wp-image-27819\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/tous-2-1000x750.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/tous-2-300x225.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/tous-2-768x576.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/tous-2-803x602.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/tous-2.jpg 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-large-font-size\">Le bandon\u00e9on de Lysandre DONOSO, le violon de Michel BERRIER, le piano d\u2019Eric CHALAN&nbsp; et la contrebasse de C\u00e9dric LOREL ont fait oublier les -2\u00b0C ressentis \u00e0 l\u2019ext\u00e9rieur de la salle Edith PIAF au cours de ce concert, gr\u00e2ce \u00e0 la magie des harmonieux rythmes d\u2019Astor PIAZZOLLA, mais aussi de Villa LOBOS, de Juan Carlos COBIAN, d\u2019Alejandro SCARPINO et Juan CALDARELLA. Un programme qui a mis \u00e0 l\u2019honneur \u00e9galement Gustavo BEYTELMANN et Luis BRIGHENTI.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"458\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-1-1000x458.jpg\" alt=\"\" class=\"wp-image-27828\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-1-1000x458.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-1-300x138.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-1-768x352.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-1-1536x704.jpg 1536w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-1-2048x939.jpg 2048w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-1-803x368.jpg 803w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-large-font-size\">Car c\u2019est en effet le tango, et la milonga, avec leurs envo\u00fbtantes m\u00e9lodies, qui ont amplement contribu\u00e9 \u00e0 r\u00e9chauffer l\u2019atmosph\u00e8re de cette soir\u00e9e.<\/p>\n\n\n\n<p class=\"has-large-font-size\">Passion, fougue, sensualit\u00e9, nostalgie\u2026 Le quatuor CALIENTE sait \u00e0 merveille d\u00e9cliner ces sensations que le public, venu nombreux, a pu savourer tout au long de ce concert.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"573\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-2-1000x573.jpg\" alt=\"\" class=\"wp-image-27829\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-2-1000x573.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-2-300x172.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-2-768x440.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-2-1536x880.jpg 1536w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-2-803x460.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/solo-2.jpg 1658w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-large-font-size\">D\u00e9couverte aussi avec cette \u00e9vocation d\u2019une suite de BACH, qui avait tant marqu\u00e9 le tout jeune PIAZZOLLA, au point d\u2019en proposer bien plus tard une libre transcription, habilement m\u00eal\u00e9e aux rythmes du tango\u2026<\/p>\n\n\n\n<p class=\"has-large-font-size\">La grande virtuosit\u00e9 de Lysandre et des trois autres interpr\u00e8tes avait de quoi enthousiasmer, et les compliments ont fus\u00e9 \u00e0 l\u2019issu du concert, autour des musiciens qui proposaient leur album \u00e0 la d\u00e9dicace (apr\u00e8s \u00ab&nbsp;LIBERTANGO&nbsp;\u00bb, l\u2019album \u00ab&nbsp;Double A&nbsp;\u00bb est sorti en 2020).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/salut-1-1-1000x750.jpg\" alt=\"\" class=\"wp-image-27833\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/salut-1-1-1000x750.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/salut-1-1-300x225.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/salut-1-1-768x576.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/salut-1-1-803x602.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/salut-1-1.jpg 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-large-font-size\">Apr\u00e8s les remerciements et compliments formul\u00e9s par notre pr\u00e9sidente d&rsquo;association, le concert a \u00e9t\u00e9 suivi d&rsquo;un vin chaud fort appr\u00e9ci\u00e9 par ces temp\u00e9ratures hivernales.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"458\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/fin-1-1000x458.jpg\" alt=\"\" class=\"wp-image-27825\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/fin-1-1000x458.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/fin-1-300x137.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/fin-1-768x351.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/fin-1-1536x703.jpg 1536w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/fin-1-2048x937.jpg 2048w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/12\/fin-1-803x367.jpg 803w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-larger-font-size\"><strong>Prochain rendez-vous de RITMY, le dimanche 22 janvier 2023 \u00e0 MAULE, avec LOCO CELLO.<\/strong><\/p>\n\n\n\n<p class=\"has-large-font-size\"><strong>Toutes les informations dans cet <em><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/concerts-33e-saison\/loco-cello\/\" target=\"_blank\" rel=\"noreferrer noopener\">AR<\/a><\/em><\/strong><em><strong><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/concerts-33e-saison\/loco-cello\/\" target=\"_blank\" rel=\"noreferrer noopener\">TICL<\/a><\/strong><\/em><strong><em><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/concerts-33e-saison\/loco-cello\/\" target=\"_blank\" rel=\"noreferrer noopener\">E<\/a><\/em><\/strong>.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le bandon\u00e9on de Lysandre DONOSO, le violon de Michel BERRIER, le piano d\u2019Eric CHALAN&nbsp; et la contrebasse de C\u00e9dric LOREL ont fait oublier les -2\u00b0C ressentis \u00e0 l\u2019ext\u00e9rieur de la salle Edith PIAF au cours de ce concert, gr\u00e2ce \u00e0 la magie des harmonieux rythmes d\u2019Astor PIAZZOLLA, mais aussi de Villa LOBOS, de Juan Carlos &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/caliente\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":5,"featured_media":27819,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1],"tags":[],"class_list":["post-27818","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-les-oeuvres","category-ritmy","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/27818","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=27818"}],"version-history":[{"count":9,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/27818\/revisions"}],"predecessor-version":[{"id":27851,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/27818\/revisions\/27851"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media\/27819"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=27818"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=27818"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=27818"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}