{"id":27089,"date":"2022-03-02T19:23:09","date_gmt":"2022-03-02T18:23:09","guid":{"rendered":"https:\/\/ritmy.fr\/essais\/?p=27089"},"modified":"2022-03-03T09:43:18","modified_gmt":"2022-03-03T08:43:18","slug":"ravel-mobile","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/ravel-mobile\/","title":{"rendered":"MAURICE RAVEL (1875-1937)"},"content":{"rendered":"\n<p class=\"has-regular-font-size\">Maurice Ravel, n\u00e9 le 7 mars 1875 \u00e0 Ciboure en Pyr\u00e9n\u00e9es-Atlantiques, sera au programme de notre prochain concert \u00e0 Montfort-L\u2019Amaury lors du r\u00e9cital de piano de Keigo Mukawa.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"408\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/03\/maurice-ravel-2.jpg\" alt=\"\" class=\"wp-image-27056\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/03\/maurice-ravel-2.jpg 650w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/03\/maurice-ravel-2-300x188.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-regular-font-size\"> Apr\u00e8s son a\u00een\u00e9 Claude Debussy, Ravel est le compositeur le plus influent de la musique fran\u00e7aise de son \u00e9poque et le principal repr\u00e9sentant du courant impressionniste du d\u00e9but du 20<sup>\u00e8me<\/sup> si\u00e8cle. Nous vous proposons ici de d\u00e9couvrir quelques-unes de ses plus belles \u0153uvres. <\/p>\n\n\n\n<p class=\"has-regular-font-size\"> Ravel entre au Conservatoire de Paris en 1889.<br>En 1894, par l&rsquo;interm\u00e9diaire de son p\u00e8re, il rencontre Erik Satie au caf\u00e9 de la Nouvelle Ath\u00e8nes.<br>En 1898, il entame des \u00e9tudes de composition avec Gabriel Faur\u00e9, et publie ses premi\u00e8res \u0153uvres.  <\/p>\n\n\n\n<p class=\"has-regular-font-size\">En 1907, Ravel compose la \u00ab Rhapsodie espagnole \u00bb, puis en 1908, son chef d\u2019\u0153uvre pianistique \u00ab Gaspard de la nuit \u00bb. C\u2019est cette \u0153uvre que Keigo Mukawa interpr\u00e8tera (sauf changement de programme) lors de son r\u00e9cital \u00e0 Montfort-L\u2019Amaury le 20 mars prochain.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ravel - &#039;Rapsodie espagnol&#039; | Alondra de la Parra\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/7azWxqtpIi4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>Rhapsodie Espagnole<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Khatia Buniatishvili - Ravel - Gaspard de la nuit\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/f39a8rhk8mI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>Gaspard de la nuit<\/figcaption><\/figure>\n\n\n\n<p class=\"has-regular-font-size\">En 1912, \u00ab Daphnis et Chlo\u00e9 \u00bb, command\u00e9 par Diaghilev, est cr\u00e9\u00e9 aux Ballets russes dans les d\u00e9cors de Bakst et la chor\u00e9graphie de Fokine, avec Nijinski et Karsavina dans les deux premiers r\u00f4les.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Maurice Ravel: \u00abDaphnis et Chlo\u00e9\u00bb. 2\u00e8me Suite, Simon Rattle\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/14OM6Ysnk6M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>Daphnis et Chlo\u00e9, suite n\u00b02<\/figcaption><\/figure>\n\n\n\n<p class=\"has-regular-font-size\">En 1917, Ravel compose le \u00ab Tombeau de Couperin \u00bb, suite dont chaque pi\u00e8ce est d\u00e9di\u00e9e \u00e0 l&rsquo;un de ses camarades tomb\u00e9s au front.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ravel : le Tombeau de Couperin (Orchestre national de France)\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/0kmopRd6dfE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>Le tombeau de Couperin<\/figcaption><\/figure>\n\n\n\n<p> Apr\u00e8s la mort de Debussy en 1918, Ravel est consid\u00e9r\u00e9, surtout \u00e0 l\u2019\u00e9tranger, comme le plus grand compositeur fran\u00e7ais vivant.  <\/p>\n\n\n\n<p> Ravel se fixe \u00e0 Montfort-L\u2019Amaury en 1921. Sa maison, \u00ab&nbsp;le&nbsp;Belv\u00e9d\u00e8re&nbsp;\u00bb, devient rapidement le point de ralliement de ses amis musiciens et artistes. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"750\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/03\/Montfort-lAmaury_Maison_Ravel-1000x750.jpg\" alt=\"\" class=\"wp-image-27080\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/03\/Montfort-lAmaury_Maison_Ravel-1000x750.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/03\/Montfort-lAmaury_Maison_Ravel-300x225.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/03\/Montfort-lAmaury_Maison_Ravel-768x576.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/03\/Montfort-lAmaury_Maison_Ravel-1536x1152.jpg 1536w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/03\/Montfort-lAmaury_Maison_Ravel-2048x1536.jpg 2048w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/03\/Montfort-lAmaury_Maison_Ravel-803x602.jpg 803w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>La maison de Ravel \u00e0 Montfort-L&rsquo;Amaury<\/figcaption><\/figure>\n\n\n\n<p> En 1922, il orchestre les \u00ab&nbsp;Tableaux d&rsquo;une exposition&nbsp;\u00bb  <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Les Tableaux d&#039;une exposition de Moussorgski par l&#039;Orchestre national d&#039;\u00cele-de-France\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/IrXJvC6kPxM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>Tableaux d&rsquo;une exposition<\/figcaption><\/figure>\n\n\n\n<p class=\"has-regular-font-size\">En mars 1925, il cr\u00e9e \u00e0 Monte-Carlo \u00ab L&rsquo;enfant et les sortil\u00e8ges \u00bb sur un texte de Colette.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ravel L&#039;enfant et les sortil\u00e8ges\" width=\"803\" height=\"602\" src=\"https:\/\/www.youtube.com\/embed\/JbqySviU4YQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>L&rsquo;enfant et les sortil\u00e8ges<\/figcaption><\/figure>\n\n\n\n<p class=\"has-regular-font-size\">En 1928 son \u00ab Bol\u00e9ro \u00bb, command\u00e9 par son amie Ida Rubinstein pour un \u00ab ballet de caract\u00e8re espagnol \u00bb, est cr\u00e9\u00e9 \u00e0 l&rsquo;Op\u00e9ra de Paris.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Soir\u00e9e exceptionnelle Nicolas Le Riche - Bolero de B\u00e9jart\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/n7FfCXW-LuM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>Bol\u00e9ro<\/figcaption><\/figure>\n\n\n\n<p class=\"has-regular-font-size\">Il effectue une longue tourn\u00e9e au Canada et aux \u00c9tats-Unis o\u00f9 il rencontre le compositeur am\u00e9ricain George Gershwin.<\/p>\n\n\n\n<p class=\"has-regular-font-size\">Le 27 novembre 1931, le pianiste Paul Wittgenstein (amput\u00e9 du bras droit) cr\u00e9e le \u00ab Concerto pour la main gauche \u00bb \u00e0 Vienne, et le 14 janvier 1932, le \u00ab Concerto en sol \u00bb est cr\u00e9\u00e9 par sa d\u00e9dicataire Marguerite Long \u00e0 la Salle Pleyel de Paris.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ravel Left Hand Piano Concerto\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/bG3mwtTBVK8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>Concerto pour la main gauche<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ravel : Concerto en sol (Martha Argerich \/ Orchestre national de France \/ Emmanuel Krivine)\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/vlvWfP-iFmY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>Concerto en sol<\/figcaption><\/figure>\n\n\n\n<p class=\"has-regular-font-size\">\u00c0 partir de l\u2019\u00e9t\u00e9 1933, Ravel commence \u00e0 pr\u00e9senter les signes d\u2019une maladie neurologique qui va le condamner au silence pour les quatre derni\u00e8res ann\u00e9es de sa vie<\/p>\n\n\n\n<p class=\"has-regular-font-size\">En 1937, une op\u00e9ration chirurgicale est tent\u00e9e. Il tombe onze jours dans le coma \u00e0 la suite de l&rsquo;intervention, et d\u00e9c\u00e8de le 28 d\u00e9cembre.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maurice Ravel, n\u00e9 le 7 mars 1875 \u00e0 Ciboure en Pyr\u00e9n\u00e9es-Atlantiques, sera au programme de notre prochain concert \u00e0 Montfort-L\u2019Amaury lors du r\u00e9cital de piano de Keigo Mukawa. Apr\u00e8s son a\u00een\u00e9 Claude Debussy, Ravel est le compositeur le plus influent de la musique fran\u00e7aise de son \u00e9poque et le principal repr\u00e9sentant du courant impressionniste du &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/ravel-mobile\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[433],"tags":[],"class_list":["post-27089","post","type-post","status-publish","format-standard","hentry","category-article-non-affiche-dans-le-journal","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/27089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=27089"}],"version-history":[{"count":8,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/27089\/revisions"}],"predecessor-version":[{"id":27109,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/27089\/revisions\/27109"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=27089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=27089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=27089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}