{"id":26997,"date":"2022-02-15T12:33:49","date_gmt":"2022-02-15T11:33:49","guid":{"rendered":"https:\/\/ritmy.fr\/essais\/?p=26997"},"modified":"2022-02-15T12:40:15","modified_gmt":"2022-02-15T11:40:15","slug":"akilone-daquin","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/akilone-daquin\/","title":{"rendered":"Bel enthousiasme pour Astor PIAZZOLLA \u00e0 ORGERUS !"},"content":{"rendered":"\n<script language=\"Javascript\">\n<!--\nfunction isMobileDevice() \n{ \nif (\/Mobil\/i.test(navigator.userAgent))\n  {\n  window.open(\"https:\/\/ritmy.fr\/essais\/akilone-daquin--mobile\/\", \"_top\");\n  }\n}\n\/\/-->\n<\/script>\n<script type=\"text\/javascript\">isMobileDevice()<\/script>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"464\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-1-1000x464.jpg\" alt=\"\" class=\"wp-image-26999\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-1-1000x464.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-1-300x139.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-1-768x356.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-1-803x372.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-1.jpg 1275w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-large-font-size\">On ne pr\u00e9sente plus Astor PIAZZOLLA (1921-1992), et pourtant\u2026<\/p>\n\n\n\n<p class=\"has-large-font-size\">Le quatuor AKILONE et Gr\u00e9gory DALTIN (bandon\u00e9on) nous ont r\u00e9v\u00e9l\u00e9 des rythmes, des harmonies que notre fid\u00e8le public, venu en nombre, a eu le grand plaisir de (re)d\u00e9couvrir en ce dimanche 13 f\u00e9vrier, dans la belle salle du Pr\u00e9 Romain \u00e0 ORGERUS.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"417\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3d-1000x417.jpg\" alt=\"\" class=\"wp-image-27013\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3d-1000x417.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3d-300x125.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3d-768x321.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3d-803x335.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3d.jpg 1392w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"632\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3-1000x632.jpg\" alt=\"\" class=\"wp-image-27001\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3-1000x632.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3-300x190.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3-768x485.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3-803x508.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-3.jpg 1275w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-large-font-size\">Anna G\u00d6CKEL, Elise DE-BENDELAC (violons), Perrine GUILLEMOT (alto) et Lucie MERCAT (violoncelle) ont magistralement accompagn\u00e9 et mis en valeur le bandon\u00e9on de Gr\u00e9gory DALTIN.<\/p>\n\n\n\n<p class=\"has-large-font-size\"> Tour \u00e0 tour pleine de fougue ou bien lancinante et nostalgique, l\u2019\u0153uvre de ce fils d\u2019immigr\u00e9s italiens, n\u00e9 en Argentine, dans la province de BUENOS-AIRES, donne parfois de furieuses envies de s\u2019\u00e9lancer sur une piste de danse, parfois aussi de r\u00eaver \u00e0 quelque rivage paisible des mers du Sud.  <\/p>\n\n\n\n<p class=\"has-large-font-size\">Des plus connues aux plus \u00ab&nbsp;confidentielles&nbsp;\u00bb, ces m\u00e9lodies (rythmes de tango, milonga et autres magnifiques partitions) ont ainsi donn\u00e9 de belles couleurs \u00e0 cette fin d\u2019apr\u00e8s-midi, et les applaudissements n\u2019ont pas manqu\u00e9, manifestant un bel enthousiasme pour cet ensemble qui excelle \u00e0 transporter son public vers ces espaces lointains. &nbsp;&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"692\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-5-1000x692.jpg\" alt=\"\" class=\"wp-image-27003\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-5-1000x692.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-5-300x208.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-5-768x531.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-5-803x556.jpg 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2022\/02\/orgerus-5.jpg 1204w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color\" style=\"font-size:24px\"><strong>Prochain rendez-vous de RITMY, le dimanche 20 mars 2022, Salle de spectacle du CML de Montfort-l&rsquo;Amaury  (17h), pour Keigo MUKAWA, dans un r\u00e9cital de piano<\/strong><\/p>\n\n\n\n<p class=\"has-large-font-size\"><strong>Toutes les informations dans cet <em><a rel=\"noreferrer noopener\" href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/concerts-32eme-saison-2-mobile\/quatuor-akilone-et-gregory-daltin\/\" target=\"_blank\">AR<\/a><\/em><\/strong><em><strong><a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/concerts-32eme-saison-2-mobile\/keigo-mukawa\/\" target=\"_blank\" rel=\"noreferrer noopener\">TICL<\/a><\/strong><\/em><strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/concerts-32eme-saison-2-mobile\/quatuor-akilone-et-gregory-daltin\/\" target=\"_blank\">E<\/a><\/em><\/strong>.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-large-font-size\"><strong>Pensez \u00e0 r\u00e9server, et\u2026abonnez-vous&nbsp;!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On ne pr\u00e9sente plus Astor PIAZZOLLA (1921-1992), et pourtant\u2026 Le quatuor AKILONE et Gr\u00e9gory DALTIN (bandon\u00e9on) nous ont r\u00e9v\u00e9l\u00e9 des rythmes, des harmonies que notre fid\u00e8le public, venu en nombre, a eu le grand plaisir de (re)d\u00e9couvrir en ce dimanche 13 f\u00e9vrier, dans la belle salle du Pr\u00e9 Romain \u00e0 ORGERUS. Anna G\u00d6CKEL, Elise DE-BENDELAC &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/akilone-daquin\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":5,"featured_media":27003,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1],"tags":[],"class_list":["post-26997","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-les-oeuvres","category-ritmy","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/26997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=26997"}],"version-history":[{"count":11,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/26997\/revisions"}],"predecessor-version":[{"id":27018,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/26997\/revisions\/27018"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media\/27003"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=26997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=26997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=26997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}