{"id":26290,"date":"2021-08-21T11:26:42","date_gmt":"2021-08-21T10:26:42","guid":{"rendered":"https:\/\/ritmy.fr\/essais\/?p=26290"},"modified":"2021-08-25T17:43:53","modified_gmt":"2021-08-25T16:43:53","slug":"danse-macabre","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/danse-macabre\/","title":{"rendered":"La danse macabre dans tous ses \u00e9tats"},"content":{"rendered":"\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"440\" height=\"575\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2021\/06\/Saintsaens.jpg\" alt=\"\" class=\"wp-image-26128 size-full\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2021\/06\/Saintsaens.jpg 440w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2021\/06\/Saintsaens-230x300.jpg 230w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\">En cette ann\u00e9e 2021 marquant le centenaire de la mort de Camille Saint-Sa\u00ebns, nous vous proposons une variation autour d\u2019une de ses \u0153uvres les plus c\u00e9l\u00e8bres&nbsp;: La danse macabre.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-left has-large-font-size\">Pour commencer,nous vous proposons de red\u00e9couvrir cette \u0153uvre \u00e0 travers cette pr\u00e9sentation faite par Jean-Fran\u00e7ois Zygel :<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Saint-Sa\u00ebns : danse macabre\" width=\"803\" height=\"602\" src=\"https:\/\/www.youtube.com\/embed\/d8DG0xzwOf0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>Jean-Fran\u00e7ois Zygel, n\u00e9 le 23 novembre 1960 \u00e0 Paris, est un compositeur contemporain mais surtout un pianiste improvisateur et un p\u00e9dagogue reconnu pour son travail d&rsquo;initiation \u00e0 la musique classique dans les m\u00e9dias radiophoniques et t\u00e9l\u00e9visuels. Il est aussi professeur d&rsquo;improvisation au piano au Conservatoire de musique de Paris.<\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator is-style-default\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\">La danse macabre est d\u2019abord un po\u00e8me symphonique compos\u00e9 par Saint-Sa\u00ebns en 1874, d\u2019apr\u00e8s une m\u00e9lodie qu\u2019il avait compos\u00e9e en 1872 d&rsquo;apr\u00e8s un po\u00e8me d&rsquo;Henri Cazalis. Elle est donc interpr\u00e9t\u00e9e par un orchestre symphonique dont l\u2019originalit\u00e9 \u00e9tait \u00e0 l\u2019\u00e9poque d\u2019int\u00e9grer un xylophone. C\u2019est ce que nous appellerons la version \u00ab&nbsp;originale&nbsp;\u00bb (ou \u00ab&nbsp;normale&nbsp;\u00bb si l\u2019on veut) que nous vous proposons d\u2019entendre ici&nbsp;:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Saint-Sa\u00ebns - Danse macabre - Kent Nagano - 2015\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/iZysDTulnlw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>Par Kent Nagano en 2015<\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-large-font-size\">Et voici la m\u00e9lodie qui a servi de base \u00e0 la composition du po\u00e8me symphonique&nbsp;:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Danse macabre de Saint-Sa\u00ebns (voix et  piano)\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/8nDWzBnr06w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption>Avec Jose Van Dam au chant<\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\">Originairement compos\u00e9e pour orchestre, la Danse macabre a \u00e9t\u00e9 arrang\u00e9e pour piano seul, par Franz Liszt puis par Vladimir Horowitz. Alexandre Kantorow interpr\u00e8te ici ce morceau \u00e0 partir de ces deux versions revisit\u00e9es :<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Alexandre Kantorow : Saint-Sa\u00ebns, Danse macabre op.40\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/VUtA5jlpGjw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\">Voici maintenant une version pour piano et marimba, transcrite par Adela\u00efde Ferri\u00e8re, avec Fanny Azzuro au piano (qui est venue pour Ritmy avec le Spiritango Quartet le 26 mars 2017 \u00e0 Richebourg), et Adela\u00efde Ferri\u00e8re au marimba :<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Saint-Sa\u00ebns : Danse Macabre, transcription pour marimba et piano (Ad\u00e9la\u00efde Ferri\u00e8re, Fanny Azzuro)\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/F_zDCsPyUTw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\">Une int\u00e9ressante transcription pour orgue d&rsquo;Edwin H. Lemare&nbsp;:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"C. Saint-Sa\u00ebns : Danse Macabre op.40\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/Y0T5SANsfJQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\">Ne trouvez-vous pas que cet arrangement pour quatuor de guitares lui donne un petit air espagnol&nbsp;?<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Danse macabre op. 40 - Quatuor Eclisses\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/BlP6R7hXq8I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\">Pour terminer, voici une version illustr\u00e9e tr\u00e8s suggestive&nbsp;:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Danse Macabre 2010 ( Saint-Sa\u00ebns )\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/z0glOYQBlSA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-large-font-size\">Ce petit tour d\u2019horizon n\u2019est bien sur pas exhaustif, et vous trouverez bien d\u2019autres versions, transcriptions ou adaptations sur internet.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En cette ann\u00e9e 2021 marquant le centenaire de la mort de Camille Saint-Sa\u00ebns, nous vous proposons une variation autour d\u2019une de ses \u0153uvres les plus c\u00e9l\u00e8bres&nbsp;: La danse macabre. Pour commencer,nous vous proposons de red\u00e9couvrir cette \u0153uvre \u00e0 travers cette pr\u00e9sentation faite par Jean-Fran\u00e7ois Zygel : La danse macabre est d\u2019abord un po\u00e8me symphonique compos\u00e9 &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/danse-macabre\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[433],"tags":[],"class_list":["post-26290","post","type-post","status-publish","format-standard","hentry","category-article-non-affiche-dans-le-journal","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/26290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=26290"}],"version-history":[{"count":3,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/26290\/revisions"}],"predecessor-version":[{"id":26307,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/26290\/revisions\/26307"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=26290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=26290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=26290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}