{"id":18548,"date":"2018-11-19T23:15:18","date_gmt":"2018-11-19T22:15:18","guid":{"rendered":"http:\/\/ritmy.fr\/essais\/?p=18548"},"modified":"2019-05-29T17:07:22","modified_gmt":"2019-05-29T16:07:22","slug":"thomas-enhco-et-jean-rondeau","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/thomas-enhco-et-jean-rondeau\/","title":{"rendered":"Des nouvelles de nos &lsquo;parrains&rsquo; Thomas ENHCO et Jean RONDEAU&#8230;"},"content":{"rendered":"<h3 style=\"text-align: center;\"><span style=\"color: #333399;\"><strong>Thomas ENHCO a parrain\u00e9 nos 26\u00b0 Saisons Musicales,<\/strong><\/span><\/h3>\n<h3 style=\"text-align: center;\"><span style=\"color: #333399;\"><strong> Jean RONDEAU a lui \u00e9t\u00e9 notre &lsquo;parrain&rsquo; lors des 27\u00b0 Saisons 2016-2017<\/strong><\/span><\/h3>\n<h4 style=\"text-align: justify;\"><strong>Deux merveilleux jeunes artistes, qui &lsquo;d\u00e9notent&rsquo; dans le monde musical actuel, par leur talent et l&rsquo;originalit\u00e9 de leurs\u00a0interpr\u00e9tations, et que nous avons eu la chance d&rsquo;accueillir r\u00e9cemment, et m\u00eame \u00e0 trois reprises pour <span style=\"color: #333399;\">Thomas ENHCO<\/span>.<\/strong><\/h4>\n<h4><strong>Et tous les deux sont \u00e0 l&rsquo;honneur en ce moment&#8230;<\/strong><\/h4>\n<h4 style=\"text-align: justify;\"><strong><span style=\"text-decoration: underline;\"><span style=\"color: #333399; text-decoration: underline;\">Thomas ENHCO<\/span><\/span> va sortir prochainement (d\u00e9but 2019) chez Sony Music son <span style=\"color: #333399;\">nouveau disque\u00a0<em>&lsquo;Thirty&rsquo;<\/em> <\/span>(il vient d&rsquo;avoir 30 ans !), avec son 1er concerto pour piano et orchestre (avec l&rsquo;Ensemble Appassionato dirig\u00e9 par Mathieu Herzog), et sept nouvelles compositions au piano solo.<\/strong><\/h4>\n<h4><strong>Nous sommes impatients&#8230;<\/strong><\/h4>\n<div id=\"attachment_18554\" style=\"width: 440px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-18554\" class=\"wp-image-18554\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/Enhco_T_2015\u00a9MaximeDeBollivier_10-800x700.jpg\" alt=\"\" width=\"440\" height=\"385\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/Enhco_T_2015\u00a9MaximeDeBollivier_10-800x700.jpg 800w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/Enhco_T_2015\u00a9MaximeDeBollivier_10-800x700-300x263.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/Enhco_T_2015\u00a9MaximeDeBollivier_10-800x700-768x672.jpg 768w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><p id=\"caption-attachment-18554\" class=\"wp-caption-text\">Thomas ENHCO (photo Maxime de Bollivier)<\/p><\/div>\n<h4 style=\"text-align: justify;\"><strong>Mais il a eu l&rsquo;honneur de jouer ce <span style=\"color: #333399;\">23 novembre \u00e0 la Philharmonie de Paris<\/span> ! \u00a0Il \u00e9tait au\u00a0<\/strong><b>piano, accompagn\u00e9 par l&rsquo;Orchestre de Cannes Provence Alpes\u00a0<\/b><b>C\u00f4te d&rsquo;Azur sous la direction de Benjamin Levy, pour interpr\u00e9ter son 1er concerto pour piano et orchestre, et le concerto en sol de\u00a0Maurice Ravel.\u00a0<\/b><strong>En voici une image.<\/strong><\/h4>\n<div id=\"attachment_18598\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-18598\" class=\"wp-image-18598\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/Thomas-Enhco-Philharmonie.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/Thomas-Enhco-Philharmonie.jpg 960w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/Thomas-Enhco-Philharmonie-300x200.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/Thomas-Enhco-Philharmonie-768x513.jpg 768w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><p id=\"caption-attachment-18598\" class=\"wp-caption-text\">Thomas ENHCO au piano, avec l&rsquo;Orchestre de Cannes dirig\u00e9 par Benjamin LEVY, le 23 novembre 2018<\/p><\/div>\n<h4 style=\"text-align: justify;\"><b>Aussi \u00e0 l&rsquo;aise pour le\u00a0classique que le jazz&#8230; compositeur, interpr\u00e8te, improvisateur&#8230; un surdou\u00e9&#8230;<\/b><\/h4>\n<h4 style=\"text-align: justify;\"><strong>Ecoutons le au piano dans <span style=\"color: #333399;\"><em>&lsquo;Rhapsody in Blue&rsquo;<\/em> de Georges Gershwin<\/span>,\u00a0<\/strong><strong>avec l&rsquo;Orchestre\u00a0de Pau Pays de B\u00e9arn (OPPB) dirig\u00e9 par Pierre Dumoussaud, c&rsquo;\u00e9tait le 10 F\u00e9vrier 2017 au Palais Beaumont de Pau. Avec\u00a0quelques improvisations \u00e0 la fin&#8230;<\/strong><\/h4>\n<h4><strong> C&rsquo;est lors de ce concert qu&rsquo;\u00e0 \u00e9t\u00e9 jou\u00e9 la\u00a0<\/strong><b>premi\u00e8re de son 1er concerto pour\u00a0piano et orchestre.<\/b><\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/3KxMGd1irCU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4 style=\"text-align: justify;\"><strong><span style=\"text-decoration: underline;\"><span style=\"color: #333399; text-decoration: underline;\">Jean RONDEAU<\/span><\/span>, que nous avons pu admirer au clavecin, bien s\u00fbr, mais aussi au piano (c&rsquo;\u00e9tait \u00e0 Richebourg le 13 mars 2016), vient de sortir son nouveau CD consacr\u00e9 aux sonates de Domenico Scarlatti\u00a0<\/strong><strong>(1685 &#8211; 1757)\u00a0<\/strong><strong>:\u00a0<span style=\"color: #333399;\"><em>&lsquo;Scarlatti Sonatas&rsquo;<\/em> <\/span>chez Warner Music \/ Erato.<\/strong><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-18583\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/jean-rondeau-scarlatti-sonatas-erato-1542211876.jpg\" alt=\"\" width=\"310\" height=\"295\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/jean-rondeau-scarlatti-sonatas-erato-1542211876.jpg 840w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/jean-rondeau-scarlatti-sonatas-erato-1542211876-300x285.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/jean-rondeau-scarlatti-sonatas-erato-1542211876-768x730.jpg 768w\" sizes=\"auto, (max-width: 310px) 100vw, 310px\" \/><\/p>\n<div id=\"attachment_18561\" style=\"width: 360px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-18561\" class=\"wp-image-18561\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/JeanRondeaucBaghir-copie.jpg\" alt=\"\" width=\"360\" height=\"240\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/JeanRondeaucBaghir-copie.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/JeanRondeaucBaghir-copie-300x200.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/11\/JeanRondeaucBaghir-copie-768x512.jpg 768w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><p id=\"caption-attachment-18561\" class=\"wp-caption-text\">Jean RONDEAU (photo Baghir)<\/p><\/div>\n<p style=\"text-align: justify;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/p>\n<h4 style=\"text-align: justify;\"><strong>Critique enthousiaste de Rodolphe\u00a0Bruneau-Boulmier sur\u00a0France Musique (26\/11) : <em>\u00ab\u00a0Jean Rondeau est un musicien inclassable et passionnant,\u00a0au jeu de clavecin\u00a0pr\u00e9cis, inventif et rythm\u00e9\u00a0\u00bb<\/em>\u00a0<\/strong><\/h4>\n<h4 style=\"text-align: justify;\"><strong>Comme <span style=\"color: #333399;\">Thomas ENHCO<\/span>, c&rsquo;est aussi un surdou\u00e9, en plus du clavecin il joue du piano, en formation jazz, et il improvise aussi beaucoup&#8230;<\/strong><\/h4>\n<h4 style=\"text-align: justify;\"><strong>Le voici dans la\u00a0<span style=\"color: #333399;\">Sonate K.141 en r\u00e9 mineur de Domenico Scarlatti<\/span>. Cet enregistrement n&rsquo;est pas tr\u00e8s r\u00e9cent (fin 2012) mais nous aimons beaucoup cette sonate, et l&rsquo;interpr\u00e9tation de <span style=\"color: #333399;\">Jean RONDEAU<\/span>. \u00a0<\/strong><\/h4>\n<h4><strong>Quelle \u00e9nergie !!<\/strong><\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/1yyBP3t7g90\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4><strong>N&rsquo;h\u00e9sitez pas \u00e0 nous signaler des informations concernant les artistes que RITMY a invit\u00e9 ces derni\u00e8res ann\u00e9es, pour \u00e7\u00e0 envoyez nous un message \u00e0 : <a href=\"mailto:contact.ritmy@gmail.com\"><em>contact.ritmy@gmail.com<\/em><\/a><\/strong><\/h4>\n<h4><span style=\"text-decoration: underline;\"><span style=\"color: #ff0000;\"><strong>Et n&rsquo;oubliez pas nos prochains concert des 29\u00b0 Saisons Musicales :<\/strong><\/span><\/span><\/h4>\n<ul>\n<li>\n<h4><strong><span style=\"color: #ff0000;\">&lsquo;La Bo\u00eete \u00e0 Joujoux&rsquo;, spectacle pour le jeune public<\/span>, le dimanche 2 d\u00e9cembre \u00e0 16h.\u00e0 M\u00e9r\u00e9 (\u00e9glise St Denis). \u00a0 \u00a0Les d\u00e9tails <a href=\"https:\/\/ritmy.fr\/essais\/la-boite-a-joujoux\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"text-decoration: underline;\"><em>ICI<\/em><\/span><\/a><\/strong><\/h4>\n<\/li>\n<li>\n<h4><strong><span style=\"color: #ff0000;\">Alexandra SOUMM au violon, et Isma\u00ebl MARGAIN au piano<\/span>, le dimanche 16 d\u00e9cembre \u00e0 17h. \u00e0 Neauphle-le-Ch\u00e2teau (\u00e9glise St Nicolas). \u00a0 Les d\u00e9tails <a href=\"https:\/\/ritmy.fr\/essais\/alexandra-soumm-et-ismael-margain\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"text-decoration: underline;\"><em>ICI<\/em><\/span><\/a><\/strong><\/h4>\n<\/li>\n<li>\n<h4><strong><span style=\"color: #ff0000;\">Le trompettiste Romain LELEU et l&rsquo;Ensemble \u00e0 cordes &lsquo;Convergences&rsquo;<\/span>, le dimanche 13 janvier 2019 \u00e0 17h. \u00e0 Orgerus (salle du Pr\u00e9-Romain). \u00a0 \u00a0Les d\u00e9tails <a href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-29iemes-saisons\/romain-leleu\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"text-decoration: underline;\"><em>ICI<\/em><\/span><\/a><\/strong><\/h4>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Thomas ENHCO a parrain\u00e9 nos 26\u00b0 Saisons Musicales, Jean RONDEAU a lui \u00e9t\u00e9 notre &lsquo;parrain&rsquo; lors des 27\u00b0 Saisons 2016-2017 Deux merveilleux jeunes artistes, qui &lsquo;d\u00e9notent&rsquo; dans le monde musical actuel, par leur talent et l&rsquo;originalit\u00e9 de leurs\u00a0interpr\u00e9tations, et que nous avons eu la chance d&rsquo;accueillir r\u00e9cemment, et m\u00eame \u00e0 trois reprises pour Thomas ENHCO. &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/thomas-enhco-et-jean-rondeau\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":3,"featured_media":18561,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6,1],"tags":[155,192,82,337,12,156,201,144],"class_list":["post-18548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-les-oeuvres","category-les-musiciens","category-ritmy","tag-clavecin","tag-concerto","tag-enhco","tag-gerschwin","tag-piano","tag-rondeau","tag-scarlatti","tag-thomas-enhco","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/18548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=18548"}],"version-history":[{"count":52,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/18548\/revisions"}],"predecessor-version":[{"id":19596,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/18548\/revisions\/19596"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media\/18561"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=18548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=18548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=18548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}