{"id":11669,"date":"2014-11-17T14:40:46","date_gmt":"2014-11-17T13:40:46","guid":{"rendered":"http:\/\/ritmy.fr\/essais\/?p=11669"},"modified":"2015-02-28T17:57:08","modified_gmt":"2015-02-28T16:57:08","slug":"trio-de-charme-a-neauphle-le-chateau","status":"publish","type":"post","link":"https:\/\/ritmy.fr\/essais\/trio-de-charme-a-neauphle-le-chateau\/","title":{"rendered":"Trio de charme \u00e0 NEAUPHLE LE CHATEAU !"},"content":{"rendered":"<h2 style=\"text-align: center;\"><span style=\"color: #333399;\"><strong>Le TRIO EMPREINTE \u00e9tait au programme de notre 2i\u00e8me concert<\/strong><\/span><\/h2>\n<h2 style=\"text-align: center;\"><span style=\"color: #333399;\"><strong> des 25i\u00e8mes Saisons Musicales RITMY, ce dimanche 16 novembre 2014.\u00a0<\/strong><\/span><\/h2>\n<p>&nbsp;<\/p>\n<h5><span style=\"color: #ff0000;\"><strong>Et on a bien failli refuser du monde&#8230;<\/strong><\/span><\/h5>\n<div id=\"attachment_11670\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/043.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11670\" class=\"size-medium wp-image-11670\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/043-300x225.jpg\" alt=\"Un trio particuli\u00e8rement talentueux!\" width=\"300\" height=\"225\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/043-300x225.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/043-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-11670\" class=\"wp-caption-text\">Un trio particuli\u00e8rement talentueux!<\/p><\/div>\n<h5><span style=\"color: #000000;\">&#8230;il a fallu rajouter des chaises pour satisfaire le public qui s&rsquo;est pr\u00e9sent\u00e9 en nombre dans la salle du Jeu de Paume, habilement transform\u00e9e en salle de concert ce dimanche apr\u00e8s-midi.<\/span><\/h5>\n<h5><strong>Succ\u00e8s pour ce <span style=\"color: #ff0000;\">remarquable trio f\u00e9minin, atypique\u00a0<\/span>: ce n&rsquo;est pas si commun d&rsquo;entendre sur sc\u00e8ne <span style=\"color: #008000;\">piano, violon et saxophone !<\/span><\/strong><\/h5>\n<div id=\"attachment_11671\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/045.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11671\" class=\"wp-image-11671\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/045-1024x768.jpg\" alt=\"Piano, violon, saxophone...\" width=\"500\" height=\"375\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/045-1024x768.jpg 1024w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/045-300x225.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><p id=\"caption-attachment-11671\" class=\"wp-caption-text\">Piano, violon, saxophone&#8230;<\/p><\/div>\n<p>Mais ce choix, <span style=\"color: #ff0000;\"><strong>Clara ABOU<\/strong> (violon), <strong>Emilie HEURTEVENT<\/strong> (saxophones) et <strong>Anne de FORNEL<\/strong> (piano)<\/span> l&rsquo;ont assum\u00e9 avec <strong>un<\/strong> <strong>talent qui a conquis l&rsquo;assistance.<\/strong> Quelle <strong>virtuosit\u00e9 dans l&rsquo;ex\u00e9cution<\/strong>, pour des \u0153uvres tour \u00e0 tour d\u00e9licates ou pleines de fougue!<\/p>\n<p>Et<strong> des d\u00e9couvertes pour certains<\/strong>, car il n&rsquo;est pas si habituel d&rsquo;avoir \u00e0 entendre <strong><span style=\"color: #ff0000;\">Amy BEACH, Pauline VIARDOT-GARCIA, Germaine TAILLEFERRE, Mel BONIS, Ida GOTKOVSKY ou Lili BOULANGER.<\/span><\/strong><\/p>\n<p>Nous n&rsquo;\u00e9tions pas, en ce dimanche,\u00a0dans la journ\u00e9e de la femme, <strong>mais <span style=\"color: #ff0000;\">Anne, Clara et Emilie<\/span> nous ont prouv\u00e9, s&rsquo;il en \u00e9tait besoin, que les compositrices de la fin du XIX\u00e8me et du d\u00e9but du XX\u00e8me si\u00e8cles pouvaient avantageusement rivaliser avec leurs homologues hommes, et leurs accords t\u00e9moignent d&rsquo;une belle \u00ab\u00a0modernit\u00e9\u00a0\u00bb&#8230;<\/strong><\/p>\n<div id=\"attachment_11676\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/039.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11676\" class=\"size-medium wp-image-11676\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/039-300x225.jpg\" alt=\"Clara ABOU au violon.\" width=\"300\" height=\"225\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/039-300x225.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/039-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-11676\" class=\"wp-caption-text\">Clara ABOU au violon.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_11673\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/041.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11673\" class=\"size-medium wp-image-11673\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/041-300x225.jpg\" alt=\"Anne de FORNEL au piano.\" width=\"300\" height=\"225\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/041-300x225.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/041-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-11673\" class=\"wp-caption-text\">Anne de FORNEL au piano.<\/p><\/div>\n<div id=\"attachment_11696\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/Emilie-Heurtevent-\u00e0-Neauphle.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11696\" class=\"wp-image-11696 size-medium\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/Emilie-Heurtevent-\u00e0-Neauphle-300x225.jpg\" alt=\"Emilie Heurtevent \u00e0 Neauphle\" width=\"300\" height=\"225\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/Emilie-Heurtevent-\u00e0-Neauphle-300x225.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2014\/11\/Emilie-Heurtevent-\u00e0-Neauphle.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-11696\" class=\"wp-caption-text\">Emilie HEURTEVENT aux saxophones !<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Et pour restituer, un peu, l&rsquo;atmosph\u00e8re du concert, voici, dans une autre\u00a0interpr\u00e9tation, tr\u00e8s belle \u00e9galement,\u00a0le <em>2i\u00e8me mouvement &lsquo;Prestissimo&rsquo;,<\/em> du\u00a0<em><strong>Trio Lyrique, pour violon, saxophone alto et piano\u00a0<\/strong><\/em>\u00a0d&rsquo;\u00a0<strong>Ida GOTKOVSKY<\/strong>, compos\u00e9\u00a0en 1984.<\/p>\n<p>Il faut rappeler que ce\u00a0<em><strong>Trio Lyrique<\/strong><\/em>\u00a0a \u00e9t\u00e9 con\u00e7u et \u00e9crit pour le\u00a0trio d\u2019instruments que joue le Trio EMPREINTE, avec saxophone donc.<\/p>\n<p>Et Emilie HEURTEVENT, en pr\u00e9sentant cette oeuvre, nous a inform\u00e9 que les trois musiciennes avaient rencontr\u00e9 <strong>Ida GOTKOVSKY<\/strong> quelques jours auparavant, chez elle, dans la r\u00e9gion de Neauphle, et qu&rsquo;elle leur avait prodigu\u00e9 quelques pr\u00e9cieux conseils pour le concert !<\/p>\n<p>Voici donc une interpr\u00e9tation du <em>2i\u00e8me mouvement<\/em> par le\u00a0<strong>Trio Kugoni :\u00a0<\/strong>un jeune ensemble n\u00e9 au Conservatoire Royal Flamand\u00a0de Bruxelles, compos\u00e9 de\u00a0Bert\u00a0Koch\u00a0(piano),\u00a0Kurt\u00a0Bertels\u00a0(saxophone) et\u00a0Nicolas\u00a0Dupont\u00a0(violon)<br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/LSMltvwDMYw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Vous pouvez aussi\u00a0\u00e9couter des interpr\u00e9tations des autres oeuvres du programme de ce concert, dans notre <em><span style=\"text-decoration: underline;\"><a title=\"Mieux conna\u00eetre les \u00ab\u00a0Muses, Interpr\u00e8tes et Compositrices\u00a0\u00bb\u2026\" href=\"https:\/\/ritmy.fr\/essais\/2014\/11\/02\/mieux-connaitre-les-muses-interpretes-et-compositrices\/\" target=\"_blank\"><span style=\"color: #3366ff;\"><strong>article r\u00e9cent<\/strong><\/span><\/a><\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h5 style=\"text-align: center;\"><span style=\"color: #008000;\">Les f\u00eates de fin d&rsquo;ann\u00e9e approchent \u00e0 grands pas&#8230;<\/span><\/h5>\n<h5 style=\"text-align: center;\"><span style=\"color: #008000;\"><strong>Et les \u00ab\u00a0AMIS de RITMY\u00a0\u00bb, ainsi que les ABONNES, auront bient\u00f4t une tr\u00e8s heureuse et agr\u00e9able <span style=\"text-decoration: underline;\">surprise<\/span>&#8230; Chut !<\/strong><\/span><\/h5>\n<h5 style=\"text-align: center;\"><span style=\"color: #008000;\">Vous saurez tout\u00a0dans quelques temps !<\/span><\/h5>\n<hr \/>\n<h5><span style=\"color: #333399;\">En attendant,<strong> pensez d\u00e9j\u00e0 \u00e0 retenir vos places<\/strong> pour notre <span style=\"text-decoration: underline;\">prochain rendez-vous<\/span> :<\/span><\/h5>\n<h5><span style=\"color: #333399;\"> \u00e0<strong> ORGERUS (salle du Pr\u00e9 Romain), le dimanche 18 janvier 2015, \u00e0 17h., pour un autre trio \u00ab\u00a0de choc\u00a0\u00bb :\u00a0<\/strong><\/span><strong><span style=\"color: #ff0000;\">Caroline CASADESUS (soprano)<\/span> <span style=\"color: #000080;\">et ses deux fils,\u00a0<\/span><\/strong><strong><span style=\"color: #ff0000;\">David et Thomas ENHCO\u00a0<\/span><\/strong><em>(<strong><span style=\"color: #ff0000;\">Thomas,<\/span><\/strong><span style=\"color: #333399;\">\u00a0d\u00e9j\u00e0 ovationn\u00e9 \u00e0 RICHEBOURG pour les 24\u00e8mes \u00ab\u00a0Saisons\u00a0\u00bb),<\/span><\/em><\/h5>\n<h5><span style=\"color: #333399;\"> ils vous feront voyager dans le temps,<strong> &lsquo;Du Classique au Jazz&rsquo;<\/strong>, de<\/span> <span style=\"color: #ff0000;\">HAENDEL \u00e0 BIZET, de Kurt WEILL \u00e0 CHOPIN, de PURCELL \u00e0 Miles DAVIS, ou encore de PUCCINI \u00e0&#8230; ENHCO !<\/span><\/h5>\n<h5><em>Pour plus d&rsquo;informations sur ce prochain concert, consultez notre article<\/em> <a title=\"Le Trio CASADESUS \u2013 ENHCO \u00e0 Orgerus, le 18 Janvier 2015\" href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-25iemes-saisons\/le-trio-casadesus-enhco-a-orgerus-le-18-janvier-2015\/\" target=\"_blank\"><span style=\"text-decoration: underline; color: #3366ff;\"><em><strong>ICI<\/strong><\/em><\/span><\/a><\/h5>\n<h5><span style=\"color: #000080;\">Attention, il\u00a0est vraiment <strong>prudent de r\u00e9server !!!<\/strong><\/span><\/h5>\n<h4><\/h4>\n<h4><span style=\"color: #ff0000;\"><strong>Joyeux No\u00ebl et bonne fin d&rsquo;ann\u00e9e \u00e0 vous tous !<\/strong><\/span><\/h4>\n<p>&nbsp;<\/p>\n<hr \/>\n<p style=\"text-align: center;\">\u00a0<strong>Si vous voulez r\u00e9agir \u00e0 cet article, nous poser une question, contacter l&rsquo;\u00e9quipe RITMY\u2026 n\u2019h\u00e9sitez pas \u00e0 vous exprimer par courriel :<\/strong><\/p>\n<h5 style=\"text-align: center;\"><strong><a href=\"mailto:contact.ritmy@gmail.com\" target=\"_blank\">contact.ritmy@gmail.com<\/a><\/strong><\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Le TRIO EMPREINTE \u00e9tait au programme de notre 2i\u00e8me concert des 25i\u00e8mes Saisons Musicales RITMY, ce dimanche 16 novembre 2014.\u00a0 &nbsp; Et on a bien failli refuser du monde&#8230; &#8230;il a fallu rajouter des chaises pour satisfaire le public qui s&rsquo;est pr\u00e9sent\u00e9 en nombre dans la salle du Jeu de Paume, habilement transform\u00e9e en salle &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/trio-de-charme-a-neauphle-le-chateau\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,4,6,1],"tags":[133,129,130,125,127,134,64,47,126,131,128],"class_list":["post-11669","post","type-post","status-publish","format-standard","hentry","category-les-oeuvres","category-concerts","category-les-musiciens","category-ritmy","tag-abou","tag-beach","tag-bonis","tag-empreinte","tag-gotkovsky","tag-heurtevent","tag-neauphle","tag-saxophone","tag-tailleferre","tag-trio","tag-viardot","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/11669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=11669"}],"version-history":[{"count":27,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/11669\/revisions"}],"predecessor-version":[{"id":11704,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/posts\/11669\/revisions\/11704"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=11669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/categories?post=11669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/tags?post=11669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}