{"id":29283,"date":"2024-06-15T06:07:29","date_gmt":"2024-06-15T05:07:29","guid":{"rendered":"https:\/\/ritmy.fr\/essais\/?page_id=29283"},"modified":"2025-02-14T17:34:08","modified_gmt":"2025-02-14T16:34:08","slug":"montfort-2","status":"publish","type":"page","link":"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-35es-saisons\/montfort-2\/","title":{"rendered":"Pascal AMOYEL \u00e0 MONTFORT-L&rsquo;AMAURY"},"content":{"rendered":"\n<script language=\"Javascript\">\n<!--\nfunction isMobileDevice() \n{ \nif (\/Mobil\/i.test(navigator.userAgent))\n  {\n  window.open(\"https:\/\/ritmy.fr\/essais\/pascal-amoyel-mob\/\", \"_top\");\n  }\n}\n\/\/-->\n<\/script>\n<script type=\"text\/javascript\">isMobileDevice()<\/script>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-larger-font-size\"><strong>le dimanche 23 mars 2025 \u00e0 17h \u00e0 la Salle de spectacle BOLERO (ex CML<\/strong>)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center has-larger-font-size\" style=\"line-height:1\"><strong>\u00ab\u00a0LE PIANISTE AUX 50 DOIGTS\u00a0\u00bb<\/strong><br><span style=\"font-size:20px\">Spectacle \u00e9crit par PASCAL AMOYEL<br>Mis en sc\u00e8ne par Christian Fromont<br>Cr\u00e9ation Lumi\u00e8res de Attilio Cossu<\/span><\/p>\n\n\n\n<p class=\"has-large-font-size\">V\u00e9ritable r\u00e9v\u00e9lation dans le monde du spectacle vivant, \u00ab\u00a0Le pianiste aux 50 doigts\u00a0\u00bb rencontre un succ\u00e8s critique et public toujours grandissant depuis sa cr\u00e9ation au Festival de la Chaise-Dieu en 2010.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"827\" height=\"550\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/04\/PascalAmoyel-PhotoJBMillot-PROG.jpg\" alt=\"\" class=\"wp-image-29104\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/04\/PascalAmoyel-PhotoJBMillot-PROG.jpg 827w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/04\/PascalAmoyel-PhotoJBMillot-PROG-300x200.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/04\/PascalAmoyel-PhotoJBMillot-PROG-768x511.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/04\/PascalAmoyel-PhotoJBMillot-PROG-803x534.jpg 803w\" sizes=\"auto, (max-width: 827px) 100vw, 827px\" \/><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\">Complet durant six mois au Th\u00e9\u00e2tre le Ranelagh (2011 et 2014) et au Festival d\u2019Avignon (2012 et 2015) le spectacle a \u00e9t\u00e9 jou\u00e9 devant plus de 50000 spectateurs en Europe, Cor\u00e9e et Canada. <\/p>\n\n\n\n<p class=\"has-large-font-size\">Ce spectacle nous invite dans la loge de Pascal Amoyel, juste avant son entr\u00e9e en sc\u00e8ne. Il d\u00e9balle ses partitions, retrouve une enveloppe adress\u00e9e au n\u00b016 de la rue Amp\u00e8re, o\u00f9 Cziffra et Amoyel se succ\u00e9d\u00e8rent. Alternent ensuite pi\u00e8ces du r\u00e9pertoire, piano pr\u00e9par\u00e9, improvisations, scie musicale, voix parl\u00e9e avec ou sans musique\u2026<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"532\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/05\/AMOYEL.jpg\" alt=\"\" class=\"wp-image-29287\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/05\/AMOYEL.jpg 800w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/05\/AMOYEL-300x200.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/05\/AMOYEL-768x511.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n\n\n<p class=\"has-large-font-size\">L\u2019interpr\u00e8te qui d\u00e9bute le spectacle dans son propre r\u00f4le, se glisse dans la peau de Gy\u00f6rgy Cziffra, replonge dans sa premi\u00e8re rencontre avec le Ma\u00eetre \u00e0 l\u2019\u00e2ge de 13 ans et entra\u00eene le spectateur dans la vie incroyable de ce l\u00e9gendaire pianiste hongrois.<\/p>\n\n\n\n<p class=\"has-large-font-size\">Pascal Amoyel, \u00ab actuellement consid\u00e9r\u00e9 comme l\u2019un de ses h\u00e9ritiers spirituels \u00bb, a compt\u00e9 parmi les rares \u00e9l\u00e8ves de Cziffra. Il lui rend ici un vibrant hommage.<\/p>\n\n\n\n<p class=\"has-large-font-size\"><\/p>\n\n\n\n<p class=\"has-large-font-size\"><strong>PROGRAMME MUSICAL<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"grid-template-columns:35% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1000\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/05\/affiche-800x1000.png\" alt=\"\" class=\"wp-image-29285 size-full\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/05\/affiche-800x1000.png 800w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/05\/affiche-240x300.png 240w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/05\/affiche-768x960.png 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/05\/affiche-803x1004.png 803w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2024\/05\/affiche.png 874w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\"><strong>Liszt<\/strong>, Invocation (extrait)<br><strong>Schumann<\/strong> Sc\u00e8ne d\u2019enfants \u00ab Gens et pays \u00e9trangers \u00bb<br><strong>Scriabine<\/strong> Etude op. 8 n\u00b012<br><strong>Liszt<\/strong>, Fun\u00e9railles (extrait)<br><strong>Katchatourian<\/strong>, Danse du sabre<br><strong>Greif<\/strong>, Le Carillon de Ch\u00e9rence<br><strong>Gershwin<\/strong>, improvisation sur The man I love<br><strong>Duke Ellington<\/strong>, Solitude<br><strong>Liszt<\/strong>, Troisi\u00e8me Consolation<br><strong>Liszt<\/strong> Rhapsodie hongroise n\u00b02<br><strong>Chopin<\/strong>, Nocturne op. posthume<br><strong>Amoyel<\/strong>, Improvisations<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"has-large-font-size\">En savoir plus sur Pascal AMOYEL en visitant son <strong><em><a href=\"https:\/\/www.pascal-amoyel.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">site internet<\/a><\/em><\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;Le pianiste aux 50 doigts&quot; - Pascal Amoyel - &quot;The 50 fingers pianist&quot;\" width=\"803\" height=\"452\" src=\"https:\/\/www.youtube.com\/embed\/OvLuUG0_v68?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-large-font-size\" id=\"block-fc68e6df-6e32-4145-b5f4-343d652a0548\">Il est fortement recommand\u00e9 de <strong>r\u00e9server en ligne<\/strong> en cliquant sur le bouton ci-dessous, ou en appelant le 06 48 69 21 89.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-white-color has-vivid-cyan-blue-background-color has-text-color has-background wp-element-button\" href=\"https:\/\/ritmy.fr\/essais\/reserver\/\">R\u00c9SERVER VOS BILLETS<\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-background has-large-font-size\" style=\"background-color:#cceef7\">Afin de fluidifier l&rsquo;accueil du public, l&rsquo;ouverture des portes se fera <strong>\u00e0 partir de 16 h 15.<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35%\">\n<p class=\"has-text-align-left has-white-background-color has-background has-large-font-size\">La salle BOLERO (ex CML) de MONTFORT-L&rsquo;AMAURY est situ\u00e9 : 3, Place de Nickenich <em>(parking assur\u00e9)<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:65%\">\n<iframe src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d2629.4154465941224!2d1.814132515835046!3d48.7739584146016!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x47e69ea56e25ea57%3A0xb493fbb23a1b72ee!2sCentre%20Municipal%20des%20Loisirs!5e0!3m2!1sfr!2sfr!4v1631354687820!5m2!1sfr!2sfr\" style=\"border:0;\" allowfullscreen=\"\" loading=\"lazy\" width=\"600\" height=\"450\"><\/iframe>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:38px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"237\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2019\/06\/Logo_ville_Montfort_CMYK-1000x237.png\" alt=\"\" class=\"wp-image-19859 size-full\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2019\/06\/Logo_ville_Montfort_CMYK-1000x237.png 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2019\/06\/Logo_ville_Montfort_CMYK-300x71.png 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2019\/06\/Logo_ville_Montfort_CMYK-768x182.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\">Concert organis\u00e9 par RITMY avec le soutien exceptionnel de la ville de MONTFORT-L&rsquo;AMAURY.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"500\" src=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/09\/SPEDIDAM-ENCADRE-r\u00e9duit-1000x500.jpg\" alt=\"\" class=\"wp-image-18150 size-full\" srcset=\"https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/09\/SPEDIDAM-ENCADRE-r\u00e9duit-1000x500.jpg 1000w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/09\/SPEDIDAM-ENCADRE-r\u00e9duit-300x150.jpg 300w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/09\/SPEDIDAM-ENCADRE-r\u00e9duit-768x384.jpg 768w, https:\/\/ritmy.fr\/essais\/wp-content\/uploads\/2018\/09\/SPEDIDAM-ENCADRE-r\u00e9duit.jpg 1100w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-large-font-size\">RITMY b\u00e9n\u00e9ficie du soutien de la SPEDIDAM.<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>le dimanche 23 mars 2025 \u00e0 17h \u00e0 la Salle de spectacle BOLERO (ex CML) \u00ab\u00a0LE PIANISTE AUX 50 DOIGTS\u00a0\u00bbSpectacle \u00e9crit par PASCAL AMOYELMis en sc\u00e8ne par Christian FromontCr\u00e9ation Lumi\u00e8res de Attilio Cossu V\u00e9ritable r\u00e9v\u00e9lation dans le monde du spectacle vivant, \u00ab\u00a0Le pianiste aux 50 doigts\u00a0\u00bb rencontre un succ\u00e8s critique et public toujours grandissant depuis &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/ritmy.fr\/essais\/concerts-2\/tout-sur-les-35es-saisons\/montfort-2\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":5,"featured_media":29104,"parent":29193,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-29283","page","type-page","status-publish","has-post-thumbnail","hentry","nodate","item-wrap"],"_links":{"self":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/pages\/29283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/comments?post=29283"}],"version-history":[{"count":26,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/pages\/29283\/revisions"}],"predecessor-version":[{"id":29745,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/pages\/29283\/revisions\/29745"}],"up":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/pages\/29193"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media\/29104"}],"wp:attachment":[{"href":"https:\/\/ritmy.fr\/essais\/wp-json\/wp\/v2\/media?parent=29283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}